Memory — Summary

Anne BronteEftertänksam

Brightly the sun of summer shone, Green fields and waving woods upon, And soft winds wandered by; Above, a sky of purest blue, Around, bright flowers of loveliest hue, Allured the gazer's eye. But what were all these charms to me, When one sweet breath of memory Came gently wafting by? I closed my eyes against the day, And called my willing soul away, From earth, and air, and sky;

That I might simply fancy there One little flower -- a primrose fair, Just opening into sight; As in the days of infancy, An opening primrose seemed to me A source of strange delight.

Sweet Memory! ever smile on me; Nature's chief beauties spring from thee, Oh, still thy tribute bring! Still make the golden crocus shine Among the flowers the most divine, The glory of the spring.

Still in the wall-flower's fragrance dwell; And hover round the slight blue bell, My childhood's darling flower. Smile on the little daisy still, The buttercup's bright goblet fill With all thy former power.

For ever hang thy dreamy spell Round mountain star and heather bell, And do not pass away From sparkling frost, or wreathed snow, And whisper when the wild winds blow, Or rippling waters play.

Is childhood, then, so all divine? Or Memory, is the glory thine, That haloes thus the past? Not all divine; its pangs of grief, (Although, perchance, their stay be brief,) Are bitter while they last.

Nor is the glory all thine own, For on our earliest joys alone That holy light is cast. With such a ray, no spell of thine Can make our later pleasures shine, Though long ago they passed.

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On a bright summer day, the speaker finds herself surrounded by sunshine, green fields, and soft winds, but all these charms fade when a breath of memory drifts in. She shuts her eyes to the present and lets her mind travel back to a single primrose, just opening, that once filled her with wonder. That childhood flower becomes a symbol of all the small, vivid joys memory can revive. She pleads with Memory to keep illuminating the flowers she loved as a child—the golden crocus, the wallflower's scent, the bluebell, even frost and rippling water. But as the poem closes, a note of realism enters. Childhood wasn’t painless; it had its own sharp griefs. And the special light that memory casts belongs only to our earliest delights. Later pleasures, even long past, can’t borrow that glow. The result is a nostalgic, tender, and quietly honest reflection on how we idealize the past.

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