TO My Lord Colrane, In Answer to his Complemental Verses sent me under the Name of CLEANOR — Summary

LOng my dull Muse in heavy slumbers lay, Indulging Sloth, and to soft Ease gave way, Her Fill of Rest resolving to enjoy, Or fancying little worthy her employ. When Noble Cleanors obliging Strains Her, the neglected Lyre to tune, constrains. Confus'd at first, she rais'd her drowsie Head, Ponder'd a while, then pleas'd, forsook her Bed. Survey'd each Line with Fancy richly fraught, Re-read, and then revolv'd them in her Thought. And can it be ? she said, and can it be ? That 'mong the Great Ones I a Poet see ?

The Great Ones? who their Ill-spent time devide, 'Twixt dang'rous Politicks, and formal Pride, Destructive Vice, expensive Vanity, In worse Ways yet, if Worse there any be: Leave to Inferiours the despised Arts, Let their Retainers be the Men of Parts. But here with Wonder and with Joy I find, I'th'Noble Born, a no less Noble Mind; One, who on Ancestors, does not rely For Fame, in Merit, as in Title, high!

The Severe Goddess thus approv'd the Laies: Yet too much pleas'd, alas, with her own Praise. But to vain Pride, My Muse, cease to give place, Virgils immortal Numbers once did grace A Smother'd Gnat: By high Applause is shown, If undeserv'd, the Praisers worth alone: Nor that you should believ't, is't always meant, 'Tis often for Instruction only sent, To praise men to Amendment, and display, By its Perfection, where their Weakness lay. This Use of these Applauding Numbers make Them for Example, not Encomium, take.

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Anne Killigrew’s speaker admits she’s been stuck in creative laziness until flattering verses from Lord Colrane (writing as “Cleanor”) jolt her awake. She studies his lines with genuine pleasure and marvels that a high-born man would bother with poetry at all—most nobles, she complains, squander their days on politics, vanity, and vice, leaving art to their social inferiors. Yet here is one with a “no less Noble Mind.” The mood shifts from drowsy surprise into delighted admiration. Then, catching herself, she scolds her muse for getting too puffed up. Even Virgil once immortalized a gnat, she reminds herself; lavish compliments often reveal the praiser’s worth, not the recipient’s. The real gift, she decides, isn’t flattery but a gentle nudge toward self-improvement. The poem ends not with swelling vanity but with a calm, almost wry resolve to treat praise as a mirror for one’s own weaknesses.

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