Haymaking — Summary

AFTER night's thunder far away had rolled The fiery day had a kernel sweet of cold, And in the perfect blue the clouds uncurled, Like the first gods before they made the world And misery, swimming the stormless sea In beauty and in divine gaiety. The smooth white empty road was lightly strewn With leaves--the holly's Autumn falls in June-- And fir cones standing stiff up in the heat. The mill-foot water tumbled white and lit With tossing crystals, happier than any crowd Of children pouring out of school aloud. And in the little thickets where a sleeper For ever might lie lost, the nettle-creeper And garden warbler sang unceasingly; While over them shrill shrieked in his fierce glee The swift with wings and tail as sharp and narrow As if the bow had flown off with the arrow. Only the scent of woodbine and hay new-mown Travelled the road. In the field sloping down, Park-like, to where its willows showed the brook, Haymakers rested. The tosser lay forsook Out in the sun; and the long waggon stood Without its team, it seemed it never would Move from the shadow of that single yew. The team, as still, until their task was due, Beside the labourers enjoyed the shade That three squat oaks mid-field together made Upon a circle of grass and weed uncut, And on the hollow, once a chalk-pit, but Now brimmed with nut and elder-flower so clean. The men leaned on their rakes, about to begin, But still. And all were silent. All was old, This morning time, with a great age untold, Older than Clare and Cobbett, Morland and Crome, Than, at the field's far edge, the farmer's home, A white house crouched at the foot of a great tree. Under the heavens that know not what years be The men, the beasts, the trees, the implements Uttered even what they will in times far hence-- All of us gone out of the reach of change-- Immortal in a picture of an old grange.

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After a distant thunderstorm, a hot summer day keeps a cool center. The sky clears into perfect blue, with clouds unwinding like the first gods before the world’s troubles began. Along a white road, leaves, fir cones, and tumbling stream water catch the light. Haymakers have paused: the wagon stands horseless in yew shadow, the men lean on their rakes in the shade of oaks, not yet working. Everything is utterly still, silent. The speaker feels he’s looking at something impossibly old — older than the painters and writers who tried to capture this rural life, older than the farmhouse crouched at the field’s edge. The moment becomes a picture, unchanging, where men and beasts and tools will go on saying whatever they might say long after we’re gone, frozen outside time. The mood is tranquil and slightly wistful, as if the whole scene is being stored against loss.

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