The Autumn — Summary

Go, sit upon the lofty hill, And turn your eyes around, Where waving woods and waters wild Do hymn an autumn sound. The summer sun is faint on them -- The summer flowers depart -- Sit still -- as all transform'd to stone, Except your musing heart.

How there you sat in summer-time, May yet be in your mind; And how you heard the green woods sing Beneath the freshening wind. Though the same wind now blows around, You would its blast recall; For every breath that stirs the trees, Doth cause a leaf to fall.

Oh! like that wind, is all the mirth That flesh and dust impart: We cannot bear its visitings, When change is on the heart. Gay words and jests may make us smile, When Sorrow is asleep; But other things must make us smile, When Sorrow bids us weep!

The dearest hands that clasp our hands, -- Their presence may be o'er; The dearest voice that meets our ear, That tone may come no more! Youth fades; and then, the joys of youth, Which once refresh'd our mind, Shall come -- as, on those sighing woods, The chilling autumn wind.

Hear not the wind -- view not the woods; Look out o'er vale and hill- In spring, the sky encircled them -- The sky is round them still. Come autumn's scathe -- come winter's cold -- Come change -- and human fate! Whatever prospect Heaven doth bound, Can ne'er be desolate.

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Elizabeth Barrett Browning’s speaker urges someone—perhaps a companion, perhaps herself—to sit on a hill and take in the autumn landscape. The woods and waters are still there, but the summer sun has dimmed, the flowers are gone, and the wind now knocks leaves down instead of stirring green songs. Remembering a livelier season only sharpens the present stillness. The speaker turns inward, comparing that wind to the way joy falters when sorrow takes hold; human closeness fades, youth slips away, and the things that once refreshed us begin to feel cold and distant. Yet the mood isn’t purely elegiac. A quiet resilience breaks through: you don’t have to fixate on the dying woods or the wind. Look out at the hills and valley—the same sky encircles them in autumn as in spring. Loss and change are inevitable, but the poem ends with a stubborn comfort: whatever horizon heaven sets around us, it can never be truly empty.

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