Pied Beauty — Summary

Glory be to God for dappled things— For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches' wings; Landscape plotted and pieced—fold, fallow, and plough; And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him.

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A rush of gratitude for the motley and the mixed pours through these lines. The speaker looks at the world and sees a kind of glory not in smooth perfection but in everything patched, flecked, and braided: a streaked sky, a speckled trout, the patchwork of farm fields, even the jumble of tools in a workshop. There is a giddy delight in this catalogue—the rhythm itself skips and dances as if the words can barely keep up with the joy. Underneath it all is a deep religious awe; all this “counter, original, spare, strange” beauty, all these opposites that somehow fit together, are traced back to a creator whose own beauty never wavers. The final line lands as a quiet, firm exhale: praise. It leaves you with a sense of peace, as if the poem itself has gathered up every odd, freckled thing and shown how it belongs.

Mer av Gerard Manley Hopkins

Alla dikter
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Cloud-puffball, torn tufts, tossed pillows ' flaunt forth, then chevy on an air- built thoroughfare: heaven-roysterers, in gay-gangs ' they throng; they glitter in marches. Down roughcast, down dazzling whitewash, ' wherever an elm arches, Shivelights and shadowtackle in long ' lashes lace, lance, and pair.
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A Brother and Sister O I admire and sorrow! The heart’s eye grieves Discovering you, dark tramplers, tyrant years. A juice rides rich through bluebells, in vine leaves,
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Spring

Nothing is so beautiful as spring— When weeds, in wheels, shoot long and lovely and lush; Thrush's eggs look little low heavens, and thrush Through the echoing timber does so rinse and wring