Les plus lus ▸
Dave Bonta
Within the dolphin,
a great lost music
given to the night.
And the fountain—
so pretty a red.
I too would run like Nicolette
Down aisles of rose and mignonette,
And stain my knees with midnight dew
Passing the ghostly gardens through,
If I should know that loverly
Young Aucassin awaited me!
And I could leave without regret
My warm white bed like Nicolette,
And flee from roof and candle-light
Into the deepest hour of night,
If by the ivy-shadowed wall,
I knew that Aucassin would call.
But I'll not tremble in the wet.
Nor bruise my feet like Nicolette,
Only to dream of his embrace,
Only to think I see his face.
Here, in the withered arbor, like the arrested wind,
Straight sides, carven knees,
Stands the statue, with hands flung out in alarm
Or remonstrances.
Over the lintel sway the woven bracts of the vine
In a pattern of angles.
The quill of the fountain falters, woods rake on the sky
Their brusque tangles.
The birds walk by slowly, circling the marble girl,
The golden quails,
The pheasants closed up in their arrowy wings.
Dragging their sharp tails.
The inquietudes of the sap and of the blood are spent.
What is forsaken will rest.
But her heel is lifted, — she would flee, — the whistle of the birds
Fails on her breast.
The fountain blows its breathless spray
From me to you and back to me.
Whipped, tossed, curdled,
Crashing, quivering:
I hurl kisses like blows upon your lips.
The dance of a bee drunken with sunlight:
Irradiant ecstasies, white and gold,
Sigh and relapse.
The fountain tosses pallid spray
Far in the sorrowful, silent sky.
A needle running in white crepe de chine
Is not the frail servant of utility
It was designed to be;
It is an arrow of silver sunlight
Plunging with a waterfall.
And hands moving in white crepe de chine
Are not slaves of the precedent
That governs them;
They are the crouching women of a fountain,
Who have sprung from marble into life
To bathe ecstatically
In the brimming basin.
Like interpenetrating bells of silver,
The water-drops ring and melt
Into new drops, like new notes
From an untiring lyre,
That in colored succession
Paint our heart-beats
From the gold of sunrise into sunset fire;
Yet, not like that, this brush of water-drops
Limns on the silver rim of Joy
The dark Butterflies of Desire.
I who saw ten strong young men die anonymously, I who
saw ten old mothers hand over their sons to the
nation anonymously, I who saw ten thousand touch
the sunlit silver finalities of undistinguished human
glory — why do I sneeze sardonically at a bronze
drinking fountain named after one who participated
in the war vicariously and bought ten farms?
Oblong, its jutted ends rounding into circles.
The old sunken basin lies with its flat, marble lip
An inch below the terrace tiles.
Over the stagnant water
Slide reflections :
The blue-green of coned yews ;
The purple and red of trailing fuchsias
Dripping out of marble urns ;
Bright squares of sky
Ribbed by the wake of a swimming beetle.
Through the blue-bronze water
Wavers the pale uncertainty of a shadow.
An arm flashes through the reflections,
A breast is outlined with leaves.
Outstretched in the quiet water
The statue of a Goddess slumbers.