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Amy
Red hued coloured skies
The bronze horizons twinkle
Skeletal branches
The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.
The verses in it say and say:
‘The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.’
So sure of death the marbles rhyme,
Yet can’t help marking all the time
How no one dead will seem to come.
What is it men are shrinking from?
It would be easy to be clever
And tell the stones: Men hate to die
And have stopped dying now forever.
I think they would believe the lie.
It departed at 8:32pm on 1st October, 1963
from a maternity hospital
in a small town in North Albania,
stopped at a creche to collect some cries,
toys,
ink spilt on shirts and trousers,
a broken pencil.
Other stops included
dull classes with mountains of books,
copies, fights, loves, hates, mistakes,
first kisses, white dust from the chalk,
lost shoes on football pitches.
Then it stopped again
at different workplaces
where the head was not needed at all, just the arms,
because the bosses were the ones
There’s no South or West or
East San Juan, only
North San Juan, alone with its
name, cut in half
by a highway. Once miners
loved it, then Hippies, now
no one special. It’s a place
boozers who like to stop
at every place stop. Its
graveyard is enormous,
with regal vestiges—tall
tombstones, wealthy oaks. In
summer-swelter, flies stick
to diesel oil. Sloppy
screened-doors flop
in breezes. Sadness
Half-hidden in a graveyard,
In the blackness of a yew,
Where never living creature stirs,
Nor sunbeam pierces through,
Is a tombstone green and crooked,
Its faded legend gone,
And but one rain-worn cherub's head
To sing of the unknown.
There, when the dusk is falling,
Silence broods so deep
It seems that every wind that breathes
Blows from the fields of sleep?
Day breaks in heedless beauty,
Kindling each drop of dew,
But unforsaking shadow dwells
Beneath this lonely yew.
This is the spot where I will lie
When life has had enough of me,
These are the grasses that will blow
Above me like a living sea.
These gay old lilies will not shrink
To draw their life from death of mine,
And I will give my body's fire
To make blue flowers on this vine.
"O Soul," I said, "have you no tears?
Was not the body dear to you?"
I heard my soul say carelessly,
"The myrtle flowers will grow more blue."
Stony fields and lonely roads,
Meagre hamlets, very lean,
And most prosperous graveyards
Lying all between.
Each few miles a graveyard,
With its crouching column
And its urns and headstones,
Very dark and solemn.
But with what an accent!
Yellow, purple, red,
Lie the votive offerings
To this public dead.
Close beside the railway,
Where the smoke drifts high,
These are decked in garlands
For the passerby.
We heard the thrushes by the shore and sea,
And saw the golden stars’ nativity,
Then round we went the lane by Thomas Flynn,
Across the church where bones lie out and in;
And there I asked beneath a lonely cloud
Of strange delight, with one bird singing loud,
What change you’d wrought in graveyard, rock and sea,
This new wild paradise to wake for me....
Yet knew no more than knew those merry sins
Had built this stack of thigh-bones, jaws and shins.