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Maxwell Bodenheim
This street is callous apathy
In a scale of greys and browns.
Its black roof-line suggests
Flat bodies unable to rise.
Even its screams are listlessness
Having an evil dream.
Its air is swarthy rawness
Troubled with ash cans and cellars.
An old woman ambles on
With a black bag that seems part of her back,
And a candidly hawk-like face.
She croons a smothered lullaby
That sifts a flitting roundness
Into her sharply parted face.
Then she surrenders her hand
To the welter of a garbage can.
"Where are you going to-night, to-night, --
Where are you going, John Evereldown?
There's never the sign of a star in sight,
Nor a lamp that's nearer than Tilbury Town.
Why do you stare as a dead man might?
Where are you pointing away from the light?
And where are you going to-night, to-night, --
Where are you going, John Evereldown?"
"Right through the forest, where none can see,
There's where I'm going, to Tilbury Town.
The men are asleep, -- or awake, may be, --
But the women are calling John Evereldown.
Ever and ever they call for me,
And while they call can a man be free?
So right through the forest, where none can see,
There's where I'm going, to Tilbury Town."
The vivid grass with visible delight
Springing triumphant from the pregnant earth,
The butterflies, and sparrows in brief flight
Chirping and dancing for the season’s birth,
The dandelions and rare daffodils
That touch the deep-stirred heart with hands of gold,
The thrushes sending forth their joyous trills,--
Not these, not these did I at first behold!
But seated on the benches daubed with green,
The castaways of life, a few asleep,
Some withered women desolate and mean,
And over all, life’s shadows dark and deep.
Moaning I turned away, for misery
I have the strength to bear but not to see.
Born a million years ago you stay here a million
years . . . watching the women come and live
and be laid away . . . you and they thin-gray
thin-dusk lovely.
So it goes: either the early morning lights are lovely
or the early morning star.
I am glad I have seen racehorses, women, mountains.
Tomb of a millionaire,
A multi-millionaire, ladies and gentlemen,
Place of the dead where they spend every year
The usury of twenty-five thousand dollars
For upkeep and flowers
To keep fresh the memory of the dead.
The merchant prince gone to dust
Commanded in his written will
Over the signed name of his last testament
Twenty-five thousand dollars be set aside
For roses, lilacs, hydrangeas, tulips.
For perfume and color, sweetness of remembrance
Around his last long home.
(A hundred cash girls want nickels to go to the movies
to-night.
In the back stalls of a hundred saloons, women are at
A canyon of granite and steel,
A river of grim unrest,
And over the fever and street-dust
Arches the azure of dream.
And fretting along the tumult,
Threading the iron curbs,
Tawdry in tinsel and feather
Drift the daughters of pleasure,
The sad-eyed traders in song,
The makers of joy,
The Columbines of the city
Seeking their ends!
But under the beaded eye-lash,
Under the lip with its rouge,
Under the mask of white
Splashed with geranium-red,
As I wandered through the eight hundred and eight streets of the city,
I saw nothing so beautiful
As the Women of the Green Houses,
With their girdles of spun gold.
And their long-sleeved dresses.
Coloured like the graining of wood.
As they walk.
The hems of their outer garments flutter open,
And the blood-red linings glow like sharp-toothed maple leaves
In Autumn.