Anne Spencer
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I Have a Friend
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Lines to a Nasturtium
(A lover muses)
Flame-flower, Day-torch, Mauna Loa, I saw a daring bee, today, pause, and soar, Into your flaming heart; Then did I hear crisp, crinkled laughter As the furies after tore him apart? A bird, next, small and humming, Looked into your startled depths and fled.... Surely, some dread sight, and dafter Than human eyes as mine can see, Set the stricken air waves drumming In his flight.
Day-torch, Flame-flower, cool-hot Beauty, I cannot see, I cannot hear your flutey Voice lure your loving swain, But I know one other to whom you are in beauty Born in vain: Hair like the setting sun, Her eyes a rising star, Motions gracious as reeds by Babylon, bar All your competing; Hands like, how like, brown lilies sweet, Cloth of gold were fair enough to touch her feet ... Ah, how the sense floods at my repeating, As once in her fire-lit heart I felt the furies Beating, beating.
Translation
We trekked into a far country, My friend and I. Our deeper content was never spoken, But each knew all the other said. He told me how calm his soul was laid By the lack of anvil and strife. "The wooing kestrel," I said, "mutes his mating-note To please the harmony of this sweet silence." And when at the day's end We laid tired bodies 'gainst The loose warm sands, And the air fleeced its particles for a coverlet; When star after star came out To guard their lovers in oblivion-- My soul so leapt that my evening prayer Stole my morning song!
Biografía
Anne Spencer (1882–1975) was an American poet, librarian, and civil rights activist from Lynchburg, Virginia. Though she published no full-length collection during her lifetime, her poems appeared in major anthologies and periodicals of the early twentieth century. Her poetry is known for its vivid natural imagery, often drawn from her own garden, and for its introspective exploration of identity, faith, and racial consciousness. She wrote in free verse with precise, musical language, blending modernist technique with deeply personal themes. Spencer was part of the wider Harlem Renaissance movement, corresponding with figures like James Weldon Johnson and hosting many writers at her home. Her significance is marked by her inclusion in the 1973 Norton Anthology of Modern Poetry, making her the first African American woman to appear in that collection. She also worked for decades as a school librarian in Lynchburg, where she encouraged young readers and writers. Active in local civil rights efforts, she helped establish the Lynchburg chapter of the NAACP. Her modest output belies her influence, as she is increasingly recognized as an important precursor to later Black women poets.
