The Word — Summary

Edward ThomasContemplative

THERE are so many things I have forgot, That once were much to me, or that were not, All lost, as is a childless woman's child And its child's children, in the undefiled Abyss of what can never be again. I have forgot, too, names of the mighty men That fought and lost or won in the old wars, Of kings and fiends and gods, and most of the stars. Some things I have forgot that I forget. But lesser things there are, remembered yet, Than all the others. One name that I have not-- Though 'tis an empty thingless name--forgot Never can die because Spring after Spring Some thrushes learn to say it as they sing. There is always one at midday saying it clear And tart--the name, only the name I hear. While perhaps I am thinking of the elder scent That is like food, or while I am content With the wild rose scent that is like memory, This name suddenly is cried out to me From somewhere in the bushes by a bird Over and over again, a pure thrush word.

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The speaker begins by listing all he has forgotten — once-important things, the names of mighty warriors, kings, even stars — swallowed by an abyss of lost time. The mood feels gently mournful, like someone sifting through old memories and finding mostly gaps.

Then his attention shifts to one thing he has never lost: not a real name, but an “empty thingless name” that thrushes sing out each spring. For him, this bird call is astonishingly persistent. While he’s caught up in the scent of elder or wild rose, a thrush cries the same note over and over, clear and tart. This pure, meaningless word — just a sound — somehow outlasts all human recollections. It offers a quiet comfort, a link to a natural world that keeps renewing itself even as personal memory fades.

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