November opens on a month of grime: thirty dirty days, fields mashed by sheep, roads wretched, woods slightly better with dead leaves scattering. The prettiest things are the paths, stamped with hobnails and the fine prints of birds and small beasts—tiny signatures of life. Everything else is pounded into mud men scorn. But then the skies take over: cold, clean, sharp—clearer than any greener month. After a storm, clouds sail silently, moon and planet appear, and the black earth lies silent, not unhappy.
Two ways of looking follow. Some stare up and imagine a pure refuge in the brightness. The speaker loves earth and November more, because without this mud the sky would be nothing to his eye. He loves even the mud, whose dullness yields all brightness to the skies. The mood is tender, honest, quietly thrilled: a hard-won affection for the muck that lets light be light.