November — Summary

Edward ThomasContemplative

NOVEMBER'S days are thirty: November's earth is dirty, Those thirty days, from first to last; And the prettiest things on ground are the paths With morning and evening hobnails dinted, With foot and wing-tip overprinted Or separately charactered, Of little beast and little bird. The fields are mashed by sheep, the roads Make the worst going, the best the woods Where dead leaves upward and downward scatter. Few care for the mixture of earth and water, Twig, leaf, flint, thorn, Straw, feather, all that men scorn, Pounded up and sodden by flood, Condemned as mud.

But of all the months when earth is greener Not one has clean skies that are cleaner. Clean and clear and sweet and cold, They shine above the earth so old, While the after-tempest cloud Sails over in silence though winds are loud, Till the full moon in the east Looks at the planet in the west And earth is silent as it is black, Yet not unhappy for its lack. Up from the dirty earth men stare: One imagines a refuge there Above the mud, in the pure bright Of the cloudless heavenly light: Another loves earth and November more dearly Because without them, he sees clearly, The sky would be nothing more to his eye Than he, in any case, is to the sky; He loves even the mud whose dyes Renounce all brightness to the skies.

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November opens on a month of grime: thirty dirty days, fields mashed by sheep, roads wretched, woods slightly better with dead leaves scattering. The prettiest things are the paths, stamped with hobnails and the fine prints of birds and small beasts—tiny signatures of life. Everything else is pounded into mud men scorn. But then the skies take over: cold, clean, sharp—clearer than any greener month. After a storm, clouds sail silently, moon and planet appear, and the black earth lies silent, not unhappy.

Two ways of looking follow. Some stare up and imagine a pure refuge in the brightness. The speaker loves earth and November more, because without this mud the sky would be nothing to his eye. He loves even the mud, whose dullness yields all brightness to the skies. The mood is tender, honest, quietly thrilled: a hard-won affection for the muck that lets light be light.

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