Emily Dickinson muses on a kind of exile that isn’t just physical. She and others are “away from Home,” yet she calls the actual move to a bustling city of strangers surprisingly easy. What’s far harder is gathering the feeling of an unfamiliar sky—learning to breathe under a new light, a different pattern of clouds. That slow, reluctant adjustment is the poem’s real subject. She compares it to the way children, even as their feet carry them away, keep a face that still seems rooted in the place they left. The image is quietly unsettling: the body travels, but some inward expression remains stuck, unchanged. A gentle, melancholy mood settles over the lines. There’s no drama, just a clear-eyed admission that emigrating means living with a split, where part of you never quite packs its bags.
Away from Home are some and I -- — Summary
Away from Home are some and I -- An Emigrant to be In a Metropolis of Homes Is easy, possibly --
The Habit of a Foreign Sky We -- difficult -- acquire As Children, who remain in Face The more their Feet retire.