Tray — Summary

Sing me a hero! Quench my thirst Of soul, ye bards! Quoth Bard the first: "Sir Olaf, the good knight, did don His helm, and eke his habergeon ..." Sir Olaf and his bard----!

"That sin-scathed brow" (quoth Bard the second), "That eye wide ope as tho' Fate beckoned My hero to some steep, beneath Which precipice smiled tempting Death ..." You too without your host have reckoned!

"A beggar-child" (let's hear this third!) "Sat on a quay's edge: like a bird Sang to herself at careless play, And fell into the stream. 'Dismay! Help, you the standers-by!' None stirred.

"Bystanders reason, think of wives And children ere they risk their lives. Over the balustrade has bounced A mere instinctive dog, and pounced Plumb on the prize. 'How well he dives!

"'Up he comes with the child, see, tight In mouth, alive too, clutched from quite A depth of ten feet--twelve, I bet! Good dog! What, off again? There's yet Another child to save? All right!

"'How strange we saw no other fall! It's instinct in the animal. Good dog! But he's a long while under: If he got drowned I should not wonder-- Strong current, that against the wall!

"'Here he comes, holds in mouth this time --What may the thing be? Well, that's prime! Now, did you ever? Reason reigns In man alone, since all Tray's pains Have fished--the child's doll from the slime!'

"And so, amid the laughter gay, Trotted my hero off,--old Tray,-- Till somebody, prerogatived With reason, reasoned: 'Why he dived, His brain would show us, I should say.

"'John, go and catch--or, if needs be, Purchase that animal for me! By vivisection, at expense Of half-an-hour and eighteen pence, How brain secretes dog's soul, we'll see!'"

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The poem opens with a restless demand: “Sing me a hero!” Two bards try lofty tales—a knight donning armor, a doomed figure facing death—but they’re cut off, their stories hollow. The third bard offers something different: a beggar-child falls into a river while bystanders, paralyzed by careful thought, do nothing. A stray dog named Tray doesn't hesitate. He dives in, rescues the child, then plunges back for her doll, drawing laughter from the crowd. The speaker, charmed, calls Tray “my hero” as he trots away. But the mood suddenly darkens. Someone ruled by pure “reason” decides to buy the dog and vivisect him, hoping to dissect the secret of his soul. The abrupt turn from warmth to cold curiosity stings. Browning doesn’t moralize; he lets the contrast hang, making Tray’s instinctive goodness feel far more genuine than any staged heroism or intellectual pride.

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