254. Caledonia: A Ballad — Summary

Robert BurnsInspired

THERE was once a day, but old Time wasythen young, That brave Caledonia, the chief of her line, From some of your northern deities sprung, (Who knows not that brave Caledonia’s divine?) From Tweed to the Orcades was her domain, To hunt, or to pasture, or do what she would: Her heav’nly relations there fixed her reign, And pledg’d her their godheads to warrant it good.

A lambkin in peace, but a lion in war, The pride of her kindred, the heroine grew: Her grandsire, old Odin, triumphantly swore,— “Whoe’er shall provoke thee, th’ encounter shall rue!” With tillage or pasture at times she would sport, To feed her fair flocks by her green rustling corn; But chiefly the woods were her fav’rite resort, Her darling amusement, the hounds and the horn.

Long quiet she reigned; till thitherward steers A flight of bold eagles from Adria’s strand: Repeated, successive, for many long years, They darken’d the air, and they plunder’d the land: Their pounces were murder, and terror their cry, They’d conquer’d and ruin’d a world beside; She took to her hills, and her arrows let fly, The daring invaders they fled or they died.

The Cameleon-Savage disturb’d her repose, With tumult, disquiet, rebellion, and strife; Provok’d beyond bearing, at last she arose, And robb’d him at once of his hopes and his life: The Anglian lion, the terror of France, Oft prowling, ensanguin’d the Tweed’s silver flood; But, taught by the bright Caledonian lance, He learnèd to fear in his own native wood.

The fell Harpy-raven took wing from the north, The scourge of the seas, and the dread of the shore; The wild Scandinavian boar issued forth To wanton in carnage and wallow in gore: O’er countries and kingdoms their fury prevail’d, No arts could appease them, no arms could repel; But brave Caledonia in vain they assail’d, As Largs well can witness, and Loncartie tell.

Thus bold, independent, unconquer’d, and free, Her bright course of glory for ever shall run: For brave Caledonia immortal must be; I’ll prove it from Euclid as clear as the sun: Rectangle-triangle, the figure we’ll chuse: The upright is Chance, and old Time is the base; But brave Caledonia’s the hypothenuse; Then, ergo, she’ll match them, and match them always.

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Robert Burns’s ballad turns Scotland into a fierce, sky-born heroine called Caledonia. She isn’t just a country — she’s a descendant of northern gods, with a reign stretching from the Tweed to the Orkneys. At home she’s gentle, a lambkin tending her green fields and hunting with horn and hound, but provoke her and she’s a lion. The poem sweeps through centuries of threats: predatory eagles from across the sea, an internal “Cameleon-Savage” stirring rebellion, the bloodthirsty Anglian lion, and howling Norse raiders from the north. Each invasion darkens the land, yet Caledonia always sends them reeling back — at Largs, at Loncartie, or deep in their own woods. The speaker’s voice brims with proud, almost swaggering affection. The final stanza cracks a smile: using a bit of Euclid, Burns “proves” that Caledonia, the hypotenuse of a right triangle built from Time and Chance, will outlast anything. The mood is one of defiant celebration, a toast to a nation that refuses to be tamed.

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