The Question — Summary

I dreamed that, as I wandered by the way, Bare Winter suddenly was changed to Spring, And gentle odours led my steps astray, Mixed with a sound of waters murmuring Along a shelving bank of turf, which lay Under a copse, and hardly dared to fling Its green arms round the bosom of the stream, But kissed it and then fled, as thou mightest in dream.

There grew pied wind-flowers and violets, Daisies, those pearled Arcturi of the earth, The constellated flower that never sets; Faint oxslips; tender bluebells, at whose birth The sod scarce heaved; and that tall flower that wets-- Like a child, half in tenderness and mirth-- Its mother's face with Heaven's collected tears, When the low wind, its playmate's voice, it hears.

And in the warm hedge grew lush eglantine, Green cowbind and the moonlight-coloured may, And cherry-blossoms, and white cups, whose wine Was the bright dew, yet drained not by the day; And wild roses, and ivy serpentine, With its dark buds and leaves, wandering astray; And flowers azure, black, and streaked with gold, Fairer than any wakened eyes behold.

And nearer to the river's trembling edge There grew broad flag-flowers, purple pranked with white. And starry river buds among the sedge, And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge With moonlight beams of their own watery light; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen.

Methought that of these visionary flowers I made a nosegay, bound in such a way That the same hues, which in their natural bowers Were mingled or opposed, the like array Kept these imprisoned children of the Hours Within my hand,--and then, elate and gay, I hastened to the spot whence I had come, That I might there present it!--Oh! to whom?

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Shelley’s speaker recounts a dream in which a bare winter landscape suddenly bursts into spring. Drawn by delicate scents and the murmur of water, he finds himself in a lush, almost unreal bank of wildflowers, each described with a kind of enchanted precision—violets, daisies like earthbound stars, bluebells, and roses. The language is sensuous and full of gentle motion, creating a mood of tender, drowsy wonder. The speaker gathers these visionary flowers into a bouquet, feeling “elate and gay,” and hurries back to the place he started, meaning to offer the gift to someone. But the poem breaks off with a startling, unanswered cry: “Oh! to whom?” That sudden question reveals a hollow at the heart of all this beauty. The entire scene shimmers with longing, and the joy of the dream twists into a quiet ache—the bouquet is perfect, but there is no one waiting to receive it.

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