518. Ballad on Mr. Heron’s Election—No. 1 — Summary

Robert BurnsCheerful

WHOM will you send to London town, To Parliament and a’ that? Or wha in a’ the country round The best deserves to fa’ that? For a’ that, and a’ that, Thro’ Galloway and a’ that, Where is the Laird or belted Knight The best deserves to fa’ that?

Wha sees Kerroughtree’s open yett, (And wha is’t never saw that?) Wha ever wi’ Kerroughtree met, And has a doubt of a’ that? For a’ that, and a’ that, Here’s Heron yet for a’ that! The independent patriot, The honest man, and a’ that.

Tho’ wit and worth, in either sex, Saint Mary’s Isle can shaw that, Wi’ Dukes and Lords let Selkirk mix, And weel does Selkirk fa’ that. For a’ that, and a’ that, Here’s Heron yet for a’ that! The independent commoner Shall be the man for a’ that.

But why should we to Nobles jouk, And is’t against the law, that? For why, a Lord may be a gowk, Wi’ ribband, star and a’ that, For a’ that, and a’ that, Here’s Heron yet for a’ that! A Lord may be a lousy loun, Wi’ ribband, star and a’ that.

A beardless boy comes o’er the hills, Wi’ uncle’s purse and a’ that; But we’ll hae ane frae mang oursels, A man we ken, and a’ that. For a’ that, and a’ that, Here’s Heron yet for a’ that! For we’re not to be bought and sold, Like naigs, and nowt, and a’ that.

Then let us drink—The Stewartry, Kerroughtree’s laird, and a’ that, Our representative to be, For weel he’s worthy a’ that. For a’ that, and a’ that, Here’s Heron yet for a’ that! A House of Commons such as he, They wad be blest that saw that.

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Robert Burns wrote this ballad to rally voters behind Mr. Heron, a candidate for Parliament. It’s a lively campaign song asking who deserves to be sent to London, then answering: Heron. Burns contrasts Heron’s independence and honesty with the empty titles of nobles, the bought influence of a “beardless boy,” and corrupt politics. The refrain “Here’s Heron yet for a’ that!” becomes a defiant toast, insisting character matters more than ribbons or wealth.

The speaker is defiant and a little mocking — he’s through bowing to lords who may be fools or rascals. There’s a warm, celebratory mood, like a tavern gathering where people toast one of their own, a man they know and trust. The steady, singsong rhythm and Scottish dialect make it feel communal and hopeful, as if the whole Stewartry is sharing in a cheerful act of political defiance.

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