Song — Summary

Rarely, rarely, comest thou, Spirit of Delight! Wherefore hast thou left me now Many a day and night? Many a weary night and day 'Tis since thou art fled away.

How shall ever one like me Win thee back again? With the joyous and the free Thou wilt scoff at pain. Spirit false! thou hast forgot All but those who need thee not.

As a lizard with the shade Of a trembling leaf, Thou with sorrow art dismayed; Even the sighs of grief Reproach thee, that thou art not near, And reproach thou wilt not hear.

Let me set my mournful ditty To a merry measure; Thou wilt never come for pity, Thou wilt come for pleasure; Pity then will cut away Those cruel wings, and thou wilt stay.

I love all that thou lovest, Spirit of Delight! The fresh Earth in new leaves dressed, And the starry night; Autumn evening, and the morn When the golden mists are born.

I love snow, and all the forms Of the radiant frost; I love waves, and winds, and storms, Everything almost Which is Nature's, and may be Untainted by man's misery.

I love tranquil solitude, And such society As is quiet, wise, and good Between thee and me What difference? but thou dost possess The things I seek, not love them less.

I love Love--though he has wings, And like light can flee, But above all other things, Spirit, I love thee-- Thou art love and life! Oh, come, Make once more my heart thy home.

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The speaker addresses the “Spirit of Delight,” a personified joy that has fled him for many weary days and nights. He feels abandoned, puzzled that it shuns those who truly need it while flocking to the carefree. Like a lizard scared by a trembling leaf, this spirit is dismayed by sorrow—even grief’s sighs reproach it for staying away, and it refuses to listen. Knowing pity will never lure it back, he tries a craftier approach: setting his mournful song to a cheerful rhythm, hoping pleasure might ground its “cruel wings” and make it stay.

He then lists everything he loves—fresh leaves, starry nights, autumn mists, snow, waves, storms—and realizes the Spirit loves these too, but doesn’t love them any less for possessing them. He craves quiet solitude and wise companionship, finding little difference between his own affections and the Spirit’s. Finally, he confesses he loves Love itself, even though it is winged and fleeting, and above all he loves this Spirit, which is both love and life. The poem ends with a tender, urgent plea: “Oh, come, / Make once more my heart thy home.” The mood blends raw yearning with a playful, almost teasing hope that delight might be charmed into returning.

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