Song of the Battle Eve — Summary

Thomas MooreInspired

(Time -- the Ninth Century)

To-morrow, comrade, we On the battle-plain must be, There to conquer, or both lie low! The morning star is up -- But there's wine still in the cup, And we'll take another quaff, ere we go, boy, go; We'll take another quaff, ere we go.

'Tis true, in manliest eyes A passing tear will rise, When we think of the friends we leave lone; But what can wailing do? See, our goblet's weeping too! With its tears we'll chase away our own, boy, our own; With its tears we'll chase away our own.

But daylight's stealing on; The last that o'er us shone Saw our children around us play; The next -- ah! where shall we And those rosy urchins be? But -- no matter -- grasp thy sword and away, boy, away; No matter -- grasp thy sword and away!

Let those, who brook the chain Of Saxon or of Dane, Ignobly by their fire-sides stay; One sigh to home be given, One heartfelt prayer to heaven, Then, for Erin and her cause, boy, hurra! hurra! hurra! Then, for Erin and her cause, hurra!

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Two warriors share a final cup of wine on the night before a battle. They know that by this time tomorrow they may be dead, and the thought of the children and friends they’ll leave behind brings tears to their eyes. Rather than sink into grief, the speaker turns the wine itself into a gesture of defiant comfort — the goblet is “weeping” too, so they’ll chase away their own sorrow with its drops. His mood is a restless blend of tenderness, dread, and fierce resolve.

As daylight creeps in, he brushes aside the painful memory of the children playing in the last sunrise. The question “where shall we / And those rosy urchins be?” hangs unanswered, but he refuses to linger. He calls his comrade to grasp his sword, sneers at those who meekly accept foreign chains, and with a quick sigh and prayer throws everything into a cry for Ireland. The poem pulses with a soldier’s intimate vulnerability, then hardens into a ringing, almost desperate battle shout.

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