The Young that Died in Beauty — Summary

William BarnesContemplative

If souls should only sheen so bright In heaven as in e’thly light, An’ nothen better wer the cease, How comely still, in sheape an’ feace, Would many reach thik happy pleace, - The hopevul souls that in their prime Ha’ seem’d a-took avore their time, - The young that died in beauty.

But when woone’s lim’s ha’ lost their strangth A-tweilen drough a lifetime’s langth, An’ over cheaks a-growen wold The slowly-weasten years ha’ roll’d The deep’nen wrinkle’s hollow vwold; When life is ripe, then death do call Vor less ov thought, than when do vall On young vo’ks in their beauty.

But pinen souls, wi’ heads a-hung In heavy sorrow vor the young, The sister ov the brother dead, The father wi’ a child a-vled, The husband when his bride ha’ laid Her head at rest, noo mwore to turn, Have all a-vound the time to murn Vor youth that died in beauty.

An’ yeet the church, where prayer do rise Vrom thoughtvul souls, wi’ downcast eyes, An’ village greens, a-beat half beare By dancers that do meet, an’ wear Such merry looks at feast an’ feair, Do gather under leatest skies, Their bloomen cheaks an’ sparklen eyes, Though young ha’ died in beauty.

But still the dead shall mwore than keep The beauty ov their early sleep; Where comely looks shall never wear Uncomely, under tweil an' ceare. The feair at death be always feair, Still feair to livers’ thought an’ love, An’ feairer still to God above, Than when they died in beauty.

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The speaker grieves for young people who die in their beauty, wondering if souls keep the same earthly brightness in heaven. Many hopeful young ones would surely reach that place. But there’s a harder truth: old age, with its worn limbs and wrinkled skin, often makes death feel less thought-of than when it falls on someone still in their prime.

The middle stanzas describe the mourners—a sister, a father, a husband—bowed by sorrow. Yet church services and village dances continue, filled with fresh faces. The poem’s comfort comes last: the dead keep a beauty that never fades under toil or care. To the living, they remain forever lovely, and to God, they grow even fairer than when they died. The mood is tender and elegiac, a quiet shift from deep grief to a serene consolation.

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