These, I, Singing in Spring. — Summary

Walt WhitmanCheerful

THESE, I, singing in spring, collect for lovers, (For who but I should understand lovers, and all their sorrow and joy? And who but I should be the poet of comrades?) Collecting, I traverse the garden, the world—but soon I pass the gates, Now along the pond-side—now wading in a little, fearing not the wet, Now by the post-and-rail fences, where the old stones thrown there, pick’d from the fields, have accumulated, (Wild-flowers and vines and weeds come up through the stones, and partly cover them—Beyond these I pass,) Far, far in the forest, before I think where I go, Solitary, smelling the earthy smell, stopping now and then in the silence, Alone I had thought—yet soon a troop gathers around me, Some walk by my side, and some behind, and some embrace my arms or neck, They, the spirits of dear friends, dead or alive—thicker they come, a great crowd, and I in the middle, Collecting, dispensing, singing in spring, there I wander with them, Plucking something for tokens—tossing toward whoever is near me; Here! lilac, with a branch of pine, Here, out of my pocket, some moss which I pull’d off a live-oak in Florida, as it hung trailing down, Here, some pinks and laurel leaves, and a handful of sage, And here what I now draw from the water, wading in the pondside, (O here I last saw him that tenderly loves me—and returns again, never to separate from me, And this, O this shall henceforth be the token of comrades—this Calamus-root shall, Interchange it, youths, with each other! Let none render it back!) And twigs of maple, and a bunch of wild orange, and chestnut, And stems of currants, and plum-blows, and the aromatic cedar: These, I, compass’d around by a thick cloud of spirits, Wandering, point to, or touch as I pass, or throw them loosely from me, Indicating to each one what he shall have—giving something to each; But what I drew from the water by the pond-side, that I reserve, I will give of it—but only to them that love, as I myself am capable of loving.

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Whitman steps into spring with a clear purpose — to gather simple, living things for lovers and comrades, people he feels uniquely qualified to understand. He moves through gardens, wades into pond water, and wanders deep into the forest, at first thinking he is alone. But the solitude quickly fills with the presence of dear friends, both living and dead, who crowd around him, touch him, and walk at his side. The mood is at once earthy and ghostly, rooted in the smell of soil and wildflowers yet lifted by a tender, almost joyous sense of company.

He hands out his findings — lilac, moss, laurel, sage — as gifts for each spirit, a quiet, generous gesture that makes the whole poem feel like a ritual of connection. Then he saves the Calamus root, drawn from the water, only for those capable of the deep, unwavering love he himself feels. The scene blurs the line between memory and presence, turning a solitary walk into a celebration of affection that death cannot break.

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