At a Window — Summary

Give me hunger, O you gods that sit and give The world its orders. Give me hunger, pain and want, Shut me out with shame and failure From your doors of gold and fame, Give me your shabbiest, weariest hunger! But leave me a little love, A voice to speak to me in the day end, A hand to touch me in the dark room Breaking the long loneliness.

In the dusk of day-shapes Blurring the sunset, One little wandering, western star Thrust out from the changing shores of shadow. Let me go to the window. Watch there the day-shapes of dusk And wait and know the coming Of a little love.

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The speaker in Carl Sandburg’s “At a Window” is willing to accept almost any hardship from the gods—hunger, pain, shame, failure, even being shut out from success—as long as he is not left completely alone. He begs not for comfort or glory, but for one small human connection: a voice at day’s end, a hand in a dark room. That request gives the poem a quiet, aching tone. The second half softens into twilight imagery, with the speaker moving to a window at dusk to watch the fading shapes of day and a single western star. There is loneliness here, but also patience and fragile hope. The mood is intimate and melancholy, not bitter; it suggests that the smallest sign of love can make suffering bearable.

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