Your Songs — Poem analysis

When first you sang a song to me With laughter shining from your eyes, You trolled your music liltingly With cadences of glad surprise.

In after years I heard you croon In measures delicately slow Of trees turned silver by the moon And nocturnes sprites and lovers know.

And now I cannot hear you sing, But love still holds your melody For silence is a sounding thing To one who listens hungrily.

Afficher tout le poèmeReplier le poème

Learn Poems app

Try the Learn Poems app

Everything from the website trainer, and more: new exercises, voice recording and sharing, reminders, quick review.

Gwendolyn B. Bennett, a poet and visual artist of the Harlem Renaissance, wrote “Your Songs” in the 1920s, a period when African American literature was expanding with striking originality and range. Bennett belonged to that movement’s intimate lyric tradition, writing compact poems about love, memory, and art. Her work often proves that private feeling can carry as much weight as public declaration.

The poem follows a speaker remembering a beloved’s singing across three moments in time. In the first quatrain, the song arrives with “laughter shining from your eyes,” and the voice is “trolled”—sung with a full, rolling current—with “cadences of glad surprise.” That phrase fuses musical rise and fall with the sudden brightness of early affection. The second quatrain shifts to “after years,” when the beloved’s voice has become gentler, crooning “in measures delicately slow” of moon-silvered trees and “nocturnes sprites and lovers know.” This is the music of enchantment, meant only for those who listen closely. The third quatrain moves into the present: “And now I cannot hear you sing.” Whether the silence comes from distance, loss, or death is deliberately left open. What matters is the speaker’s refusal to hear nothing. Love, she insists, still holds the melody. The closing lines—“silence is a sounding thing / To one who listens hungrily”—form the poem’s central paradox. Absence is not empty; it hums with remembered song for a listener who still wants to hear.

Bennett shapes this emotional arc through three quatrains of alternating rhyme and song-like rhythm, so the poem itself seems to move like the music it describes. The first stanza sounds bright and quick, alive with glad surprise. The second slows down, its softer vowel sounds and moonlit imagery matching the beloved’s delicate nocturne. The third grows quieter still, yet the phrase “sounding thing” gives the silence an unexpected fullness. The word “hungrily” is especially powerful: listening becomes an appetite, an active longing rather than passive absence. Likewise, “holds” suggests that love acts as a vessel or guardian, preserving what time might otherwise erase.

What makes “Your Songs” significant is its quiet confidence in memory as a kind of hearing. Instead of treating silence as loss, Bennett turns it into a form of music available only to one who listens with need. The poem also shows the emotional breadth of Harlem Renaissance writing—intimate, lyrical, and absorbed in universal questions of love and time. By making silence resound, Bennett offers a small but enduring song about the power of attentive love.

À lire aussi

Plus de Gwendolyn B. Bennett

Tous les poèmes
ContemplatifGwendolyn B. Bennett

Quatrains 2

How strange that grass should sing-- Grass is so still a thing.... And strange the swift surprise of snow So soft it falls and slow.
En colèreGwendolyn B. Bennett

Hatred

I shall hate you Like a dart of singing steel Shot through still air At even-tide.
RomantiqueGwendolyn B. Bennett

Sonnet--2

Some things are very dear to me-- Such things as flowers bathed by rain Or patterns traced upon the sea Or crocuses where snow has lain ...