The Witch — Summary

They--the good people--heard her song From out of the wood that grows thick in the valley. She had climbed to the hill-top that rises, blue, Out of the wood as one comes through. Grass on the hill-top waving long, And a smooth gray stone where she kept her tally Of the years and the days in the wild singing wood. She lived her life as a virgin should Till the people heard her song. They climbed the hill and they frowned and said “We liked your songs that we heard in the valley. We don’t like that one you are singing to-day! It’s mad and it’s bad and it’s much too gay! But we’ve brought you some meat and bread.” Then they saw on the stone her tally, And they shook their heads ... “Look here! Look here! Oh it’s very very plain she is queer ... mad queer!” And they took her away on that self-same day, Though she fought till she lay half-dead. Now all she had written on the smooth gray stone Were the strange magic things (O the deep blue wings!) That happen in a wild, singing wood. But they said “She hasn’t lived as a virgin should ... When she dies she shall lie on the hill for good.” And they laid her there, with her soft black hair Strained back from her dead white brow. “We will set at her head for a tombstone now This stone where she kept mad tally!” But she laughed as she sped from that hill-top bed And roamed through the wood and the valley ... “Oh wild blue wings I am free” (sang she) “Now I own the singing wood and the wood owns me, Oh the hill-top too and the valley! They gave back my stone and they’ve left me alone ... I am free! I am free! I am free!”

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A woman lives alone above a thick valley wood, singing and marking strange events on a stone. When the villagers hear a song they decide is too wild and joyful, they climb the hill, see her stone, and call her mad and immoral. They drag her down, and she dies from the struggle. The only charge against her is that she noticed magical things—deep blue wings and the life of the wild wood. In death, though, she escapes them. Her spirit rises laughing from the hilltop grave, and the final voice is hers, exulting that the wood, hill, and valley now belong to her and she to them.

The mood moves from folkloric unease to quiet outrage, then into eerie triumph. The poem clearly sides with the woman: her freedom comes not from being accepted, but from leaving the villagers behind entirely.

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