Sara Teasdale’s “Effigy of a Nun” studies a carved stone figure of a nun and reads a whole inner life into her still face. The speaker sees not just piety but “infinite gentleness, infinite irony”—a proud, private woman who chose solitude, weighed the world, and then held to her choice without regret. The nun seems to have guarded her thoughts, watched life with detached amusement, and even decided that doing without love could be a kind of greatness if she faced fate on her own terms.
The mood is cool and contemplative, touched with wistfulness rather than sorrow. That hidden smile and the final return to “infinite tenderness, infinite irony” suggest a woman who learned in loneliness that wisdom can feel empty, even for the wise. The effigy becomes a portrait of self-containment—impressive, mysterious, and a little sad.