Yone Noguchi’s speaker watches a woman with quiet fascination, noticing her smile, her fan, her bent neck, her drifting robe, and the tap of her wooden clogs. Each image is small and delicate, yet loaded with charm. The repeated “Sayonara” makes the poem feel like a drawn-out goodbye, as if the speaker is admiring her even while she slips away. There is no anger or heavy sorrow, only a dreamy, wistful longing. The woman remains slightly distant and mysterious; her “weapons” are soft forms of power—beauty, poise, and elusiveness. By the end, her movements become music: her bare feet and clogs seem to play “the unseen strings of love.” The speaker’s feeling is less a demand than a kind of enchanted acceptance, turning farewell into something graceful and almost sacred.
Her Weapons Are a Smile and a Little Fan — Summary
Her weapons are a smile and a little fan. Sayonara, sayonara . Her bent neck like that of a stork Seeking a jewel of heart in the ground !
Her wisdom is folded sweet in her bosom. Sayonara, sayonara . . . Her flapping robe like a cloud That follows a lyric of butterfly !
Her song is on her tips of naked feet. Sayonara, sayonara . . . Beat of her wooden clogs Playing the unseen strings of love !