Inside the Gold Mine — Summary

Richard GrahnVerträumt

The wooden stairs are steep, only about ten of them but steep. At the foot is Grandma’s canning pantry complete with carefully sealed Mason jars filled with applesauce, jams, jellies, watermelon pickles, and other preserves. Mostly it’s fruit we picked. I like it when Grandma chooses me to fetch something from the shelves.

To the left is Grandpa’s workbench with an assortment of tools including a bench-grinder, a couple of rock tumblers and, my favorite, a handheld black light. We use it to view the fluorescent stones and minerals in his rock collection gathered on many trips across North America. Fluorite, calcite, and hyalite all dazzle in its subtle glow. Grandpa weaves stories of adventure in with his descriptions of the rocks.

Behind us is Grandma’s hand-cranked, wringer washing machine; so fancy. I enjoy wringing out the pants and shirts when the wash is finished. Lines hang from the ceiling near the furnace toward the back of the room. She tells me I’m an expert with clothespins.

These days I find myself spending more time in the basement. It’s quality time for me, springtime in my mind.

old songs playing on the radio... a pear blossom opens

Das ganze Gedicht zeigenGedicht einklappen

Learn Poems app

Try the Learn Poems app

Everything from the website trainer, and more: new exercises, voice recording and sharing, reminders, quick review.

The speaker walks down steep wooden stairs into a basement that feels like a family treasury. On one side are Grandma’s Mason jars full of applesauce, jams, and watermelon pickles; on the other is Grandpa’s workbench with rock tumblers and a black light that makes fluorite and calcite glow. The child loves being chosen to fetch a jar or help wring clothes on the old washer. Every object carries attention and love. The title “Inside the Gold Mine” suggests that the real riches are not the possessions but the closeness, stories, and shared work. As the speaker returns to this room later, the mood turns tender and meditative. The final haiku-like lines—old songs on the radio and a pear blossom opening—suggest memory opening quietly and naturally, like spring arriving in the mind.

Lies auch

Mehr von Richard Grahn

Alle Gedichte
NachdenklichRichard Grahn

Beneath the Sky, Reflections

It’s quiet here. The sky is cloudless. A moth flutters on the most subtle of breezes. There’s barely a ripple on the water. If reflections could speak, they would speak of silence, of harmony and of deep introspection. Locked in
NachdenklichRichard Grahn

Bases Loaded

Grass-stains on knees are the least of their worries. The ball is lost in the hay again. Earlier this spring, they mowed a large section of this hayfield into a baseball diamond and then adorned it with torn up bits of T-shirt
TraurigRichard Grahn

Winter's Bitter Edge

The walking man studies the footprints he’s made in the freshly-fallen snow, footprints meandering back through time, back through time with his thoughts. There he finds a boy playing by a stream, happy as a boy can be. He