In Ndrek Gjini’s “Time and the Order of Death,” the speaker stands with Mountain, Wolf, Oak, Bird, and Dream as they wait for Time to decide who will die first. They comfort one another, yet each secretly wishes the others to go before them. Even though the world has room for everyone, death makes them feel cramped and suspicious. Time then reads the verdicts: Dream dies first, then Bird, then Wolf. The speaker and Oak remain, jealous of Mountain’s snowy calm, until they learn they must die before Mountain. Oak’s final promise—to become the speaker’s coffin—adds a strange tenderness.
The mood is eerie, resigned, and intimate. Death becomes less a distant force than a judge calmly reading names, and survival feels like only a delay.