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Dave Bonta
a creek without
any living creature
I eat as a way of answering
the great quiet
The retriever pup
chases butterfly shadows
even in his sleep.
Butterfly’s shadow:
the dog’s nose goes wild
at the lack of odor.
Muzzle to ground,
his legs get ahead of him:
herding shadows.
Butterfly shadow
on the lawn shrinks, vanishes.
The dog digs for it.
Head under water
the golden retriever
keeps his eyes open.
On the creek bottom
the longer you gaze at the face
of a limestone cliff
the more beasts
begin to emerge
a puzzle of muzzles
a marl of snarls
don’t call them angelic
they’re not here for you
convening as if
to meditate on a corpse
where the creek makes a brief
above-ground appearance
oh white-breasted nuthatch
with your anxiety song
who’s to say what’s real
in a valley full of sinkholes
Marcos (3)
Panting from the climb, eyes
on the trail, the friar
almost runs into
his guide, who stands
with an arm outstretched behind
to stop him short. Then
without turning
his head, hooks
a fold of Marcos’s habit
& tugs him forward like
a trout, breathes in his ear: Mirad.
Look.
Within arrow’s range down
the slope, beyond
the pines with
everything forks and branches
you can’t get there from here
unless you go sideways first
like a knight in chess
or a long-tailed weasel
hunting in the stiltgrass
you must run out
of luck or lumber
get saved by a discount preacher
behind the barbecue shack
lose an argument
with the moss
wonder what horrors
lie hidden beneath your feet
wrapped in duct tape
sealed in mason jars
Spring snow:
the night before, I woke
to the sound of swans
Spring snow:
the spicebush outside my window
captures more & more of the sky
Spring snow:
one mourning dove adds
an extra half-note
Spring snow:
the soft ground sinks
under my boots
Spring snow:
last year’s stalks of Oswego tea
don fresh caps
Spring snow:
swamp forest
hugging the bucket
of blueberries
blackberry patch
the secret beds
made by deer
raccoon lifting a rock
lowers the pitch
spicebush fills
the opening the big birch left
that allspice scent
“heteromorphic
self-incompatibility”
partridgeberry’s red pills
END OF PUBLIC ACCESS
sun shining right through
the plastic sign
where the road crosses the creek
a crayfish
walking upstream
The field sparrow is back—
that rising trill spilling
from a small, pink beak.
A yellow-bellied sapsucker
taps a ring of wells all around
the bole of a hickory.
You nap on the porch,
ears open to the creek and other
migrant tongues.
Searching for a lost
crew-woman, we
forded three creeks
in deepening fog.
It was ourselves
we lost then.
Thirty-two Greeks are dipping their feet in a creek.
Sloshing their bare feet in a cool flow of clear water.
All one midsummer day ten hours the Greeks
stand in leather shoes shoveling gravel.
Now they hold their toes and ankles
to the drift of running water.
Then they go to the bunk cars
and eat mulligan and prune sauce.
Smoke one or two pipefuls, look at the stars,
tell smutty stories
About men and women they have known,
countries they have seen,
Railroads they have built —
and then the deep sleep of children.