Go, ploughman, plough
The mearing lands,
The meadow lands,
The mountain lands:
All life is bare
Beneath your share,
All love is in your lusty hands.
Up, horses, now!
And straight and true
Let every broken furrow run:
The strength you sweat
Shall blossom yet
In golden glory to the sun.
All the night through I drank
Sleep like water or cool cider;
Life flowed over and I sank
Down below the night of clouds....
Then on a pale horse was rider
Through long brushing woods
Where the owl in silence broods,
Quavers, and is quiet again;
Where the grass dark and rank
Breathes on the still air its rain.
Rain and dark and green and sound
Closing slowly round
Swept me as I rode,
And rode on until I came
Where a white cold river flowed
Under woods thin and bare
Near the house flowed, or paused, the black Canal,
Edged by the timber piles so black and tall.
From the rotten fence I watched the horses pull
Along the footpath, slow and beautiful,
Moving with strength and ease, in their great size
And untired movement wonderful to my eyes;
Their dull brass clanking as each shaggy foot
Stamped the soft cinder track as fine as soot.
The driver lurched old and forbidding by,
Not seeing the child that feared to meet his eye.
I watched the rope dip, tighten, and the water flash
In falling, and then heard the hiss and splash;
I watched the barge drag slowly on and on,
Not dreaming how lovely a ship could ride the water upon,
Not dreaming how lovely flowing water was,
The driver rubbed at his nettly chin
With a huge, loose forefinger, crooked and black,
And his wobbly, violet lips sucked in,
And puffed out again and hung down slack :
One fang shone through his lop-sided smile,
In his little pouched eye flickered years of guile.
And the horse, poor beast, it was ribbed and forked,
And its ears hung down, and its eyes were old,
And its knees were knuckly, and as we talked
It swung the stiff neck that could scarcely hold
Its big, skinny head up — then I stepped in,
And the driver climbed to his seat with a grin.
God help the horse and the driver too,
And the people and beasts who have never a friend,
For the driver easily might have been you,
The proud and sturdy horses
Gather their willing forces,
Unswerving make their courses
Over the brown
Earth that was mowing meadow
A month agone, where shadow
And light in the tall grasses
Quivered and was gone.
They spoil the nest of plover
And lark, turn up, uncover
The bones of many a lover
Unfamed in tales;
Arrows, old flints of hammers,
The rooks with hungry clamours
Hover around and settle
Seeking full meals.
So, my proud soul, so you, whose shining force
Had galloped with me to eternity,
Stand now, appealing like a tired horse:
Unharness me.
O passionate world! O faces of my friends!
O half-grasped meanings, intricate and deep! —
Sudden, as with a child, the tumult ends,
Silenced by sleep.
I was Willie Metcalf.
They used to call me “Doctor Meyers,”
Because, they said, I looked like him.
And he was my father, according to Jack McGuire.
I lived in the livery stable,
Sleeping on the floor
Side by side with Roger Baughman’s bulldog,
Or sometimes in a stall.
I could crawl between the legs of the wildest horses
Without getting kicked—we knew each other.
On spring days I tramped through the country
To get the feeling, which I sometimes lost,
That I was not a separate thing from the earth.
I used to lose myself, as if in sleep,
By lying with eyes half-open in the woods.
Sometimes I talked with animals—even toads and snakes—
Horses and men are just alike.
There was my stallion, Billy Lee,
Black as a cat and trim as a deer,
With an eye of fire, keen to start,
And he could hit the fastest speed
Of any racer around Spoon River.
But just as you’d think he couldn’t lose,
With his lead of fifty yards or more,
He’d rear himself and throw the rider,
And fall back over, tangled up,
Completely gone to pieces.
You see he was a perfect fraud:
He couldn’t win, he couldn’t work,
He was too light to haul or plow with,
And no one wanted colts from him.
And when I tried to drive him—well,
Aleta mentions in her tender letters,
Among a chain of quaint and touching things,
That you are feeble, weighted down with fetters,
And given to strange deeds and mutterings.
No longer without trace or thought of fear,
Do you leap to and ride the rebel roan;
But have become the victim of grim care,
With three brown beauties to support alone.
But none the less will you be in my mind,
Wild May that cantered by the risky ways,
With showy head-cloth flirting in the wind,
From market in the glad December days;
Wild May of whom even other girls could rave
Before sex tamed your spirit, made you slave.
Boy heart of Johnny Jones — aching to-day?
Aching, and Buffalo Bill in town?
Buffalo Bill and ponies, cowboys, Indians?
Some of us know
All about it, Johnny Jones.
Buffalo Bill is a slanting look of the eyes,
A slanting look under a hat on a horse.
He sits on a horse and a passing look is fixed
On Johnny Jones, you and me, barelegged,
A slanting, passing, careless look under a hat on a horse.
Go clickety-clack, O pony hoofs along the street.
Come on and slant your eyes again, O Buffalo Bill.
Give us again the ache of our boy hearts.
Fill us again with the red love of prairies, dark nights, lonely wagons, and the crack-crack of rifles sputtering flashes into an ambush.
After the last red sunset glimmer.
Black on the line of a low hill rise,
Formed into moving shadows, I saw
A plowboy and two horses lined against the gray,
Plowing in the dusk the last furrow.
The turf had a gleam of brown,
And smell of soil was in the air.
And, cool and moist, a haze of April.
I shall remember you long,
Plowboy and horses against the sky in shadow.
I shall remember you and the picture
You made for me.
Turning the turf in the dusk
And haze of an April gloaming.
Trees stand motionless among themselves,
Some are solitary.
Horses wander over wide pastures;
At night they herd closely,
Rumps hunched to the wind.