Am meisten gelesen ▸
Dave Bonta
my legacy is a green rock
one of the finest in the forest
gentle as an ill face
swelled with pain
Organs play for the moss in the garden,
the great beauty walks to cook:
my Zen.
I rose early to barber
the moss of the wood,
took a house
in Drury Lane
and ate toasted cakes
which were very crisp.
everything forks and branches
you can’t get there from here
unless you go sideways first
like a knight in chess
or a long-tailed weasel
hunting in the stiltgrass
you must run out
of luck or lumber
get saved by a discount preacher
behind the barbecue shack
lose an argument
with the moss
wonder what horrors
lie hidden beneath your feet
wrapped in duct tape
sealed in mason jars
quarantine walk
stopping at the sound
of a jet
I can’t stop marveling at how quiet it’s become under lockdown. In normal times I find the close horizons of this narrow hollow in the hills a bit claustrophobic, but now that there’s so much less noise echoing around in it from adjacent highways, the nearby quarry, and factories and businesses in town, it feels more spacious. A pair of local Canada geese fly over at dusk and I hold my breath, listening to their wingbeats. I no longer envy animals that live underground their superior soundproofing.
last week’s rain
that hush
in the moss
tall hemlock
nearly dead from adelgids
unfeathered
every year more rain
railroad noise burrows
into the ferns
that ice avalanche
my brother’s mark on a tree
lost to moss
two faces
on the side of a beech
one has no mouth
whispering against
the road from both sides
endless water
backhoe toothmarks
our complicated relationship
with the mountain
gabion wall
the quarried stones softening
with moss at last
a beech log’s pale skin
beginning to rupture
that rich ferment
den holes
I knock on the tree to see
if a head pokes out
a breeze shakes acorns loose
their muffled thumps into rain-
softened moss
how great it felt
not to be afraid of falling
in last night’s dream
perched aristocratically
among the toadstools
a cranefly
the descent beckons
in three directions
old charcoal haul roads
crossroads deep in moss
a ladder of fungi climbs
a nearby snag
namaste means
I bow to the divine in you
lightning-struck oak
it’s not true
that lightning never strikes twice
spears of heartwood
Earth tones—a term
no recent migrant from the tropics
would understand,
how a dormant earth
can come in moss-green, bark-gray
and a thousand browns—
umber, ochre, sienna—
and spring still a hollow gurgling
somewhere below.
On a maple’s pale bark,
a zigzag ladder—old tooth-marks
from a wandering snail?
Green islands of moss
beckon across a fluttering sea
of brown leaves.
This cloud-filtered sunlight
is perfect, says the photographer
as her cheeks slowly turn red.
The door was gone, the jambs aslant, awry,
The roof grown over with the mosses slow,
The windows stared with blank and empty eye,
Half the panes gone. The flagstones grinned below
In gaping cracks. The foolish cattle came
About the orchard, where the unpruned trees
Held to the sky white boughs of trembling flame,
And long wild grasses brushed about our knees.
The dumb house called to us, the black, wide door
Stood open for us long and stood in vain :
Sighing we guessed those old walls held a store
Of rest for us when we should come again
Into the hollow, long and green and still —
Then turned away to cross the further hill.