These are the tawny days : your face comes back.
The grapes take on purple: the sunsets redden
early on the trellis.
The bashful mornings hurl gray mist on the stripes
of sunrise.
Creep, silver on the field, the frost is welcome.
Run on, yellow balls on the hills, and you tawny
pumpkin flowers, chasing your lines of orange.
Tawny days: and your face again.
I HAVE been in Pennsylvania,
In the Monongahela and the Hocking Valleys.
In the blue Susquehanna
On a Saturday morning
I saw the mounted constabulary go by,
I saw boys playing marbles.
Spring and the hills laughed.
And in places
Along the Appalachian chain,
I saw steel arms handling coal and iron,
And I saw the white-cauliflower faces
Of miners' wives waiting for the men to come home from the day's work.
I made color studies in crimson and violet
Over the dust and domes of culm at sunset.
Red gold of pools,
Sunset furrows six o'clock,
And the farmer done in the fields
And the cows in the barns with bulging udders.
Take the cows and the farmer,
Take the barns and bulging udders.
Leave the red gold of pools
And sunset furrows six o'clock.
The farmer's wife is singing.
The farmer's boy is whistling.
I wash my hands in red gold of pools.
The river is gold under a sunset of Illinois.
It is a molten gold someone pours and changes.
A woman mixing a wedding cake of butter and eggs
Knows what the sunset is pouring on the river here.
The river twists in a letter S.
A gold S now speaks to the Illinois sky.
The dome of the capitol looks to the Potomac river.
Out of haze over the sunset,
Out of a smoke rose gold:
One star shines over the sunset.
Night takes the dome and the river, the sun and the smoke rose gold,
The haze changes from sunset to star.
The pour of a thin silver struggles against the dark.
A star might call : It's a long way across.
The sunset swept
To the valley's west, you remember.
The frost was on.
A star burnt blue.
We were warm, you remember,
And counted the rings on a moon.
The sunset swept
To the valley's west
And was gone in a big dark door of stars.
Flat lands on the end of town where real estate men
are crying new subdivisions,
The sunsets pour blood and fire over you hundreds and
hundreds of nights, flat lands — blood and fire of
sunsets thousands of years have been pouring over
you.
And the stars follow the sunsets. One gold star. A
shower of blue stars. Blurs of white and gray stars.
Vast marching processions of stars arching over you
flat lands where frogs sob this April night.
" Lots for Sale — Easy Terms " run letters painted on a
board — and the stars wheel onward, the frogs sob
this April night.
Into the blue river hills
The red sun runners go
And the long sand changes
And to-day is a goner
And to-day is not worth haggling over.
Here in Omaha
The gloaming is bitter
As in Chicago
Or Kenosha.
The long sand changes.
To-day is a goner.
Time knocks in another brass nail.
Another yellow plunger shoots the dark.
Constellations
Wheeling over Omaha
As in Chicago
You came from the Aztecs
With a copper on your fore-arms
Tawnier than a sunset
Saying good-by to an even river.
And I said, you remember,
Those fore-arms of yours
Were finer than bronzes
And you were glad.
It was tears
And a path west and a home-going when I asked
Why there were scars of worn gold
Where a man's ring was fixed once
On your third finger.
And I call you
To come back before the days are longer.
The monotone of the rain is beautiful,
And the sudden rise and slow relapse
Of the long multitudinous rain.
The sun on the hills is beautiful,
Or a captured sunset sea-flung,
Bannered with fire and gold.
A face I know is beautiful —
With fire and gold of sky and sea,
And the peace of long warm rain.
Sand of the sea runs red
Where the sunset reaches and quivers.
Sand of the sea runs yellow
Where the moon slants and wavers.
Dragoons, I tell you the white hydrangeas
turn rust and go soon.
Already mid September a line of brown runs
over them.
One sunset after another tracks the faces, the
petals.
Waiting, they look over the fence for what
way they go.