Adelaide Crapsey

Adelaide Crapsey was an American poet of the early twentieth century. She is best known for inventing the cinquain, a five-line poetic form, and her work often explores themes of mortality and the brevity of life. Biography ↓More ↓

Most common topics

Poems

Show more poems7Show fewer poems

The first poems in full

Read them hereShow fewer poems

The Guarded Wound

If it Were lighter touch Than petal of flower resting On grass, oh still too heavy it were, Too heavy!

Night Winds

The old Old winds that blew When chaos was, what do They tell the clattered trees that I Should weep?

Amaze

I know Not these my hands And yet I think there was A woman like me once had hands Like these.

Shadow

A-sway, On red rose, A golden butterfly . . . And on my heart a butterfly Night-wing'd.

The Warning

Just now, Out of the strange Still dusk . . . as strange, as still . . . A white moth flew. Why am I grown So cold?

Fate Defied

As it Were tissue of silver I'll wear, O fate, thy grey, And go mistily radiant, clad Like the moon.

Laurel in the Berkshires

Sea-foam And coral! Oh, I'll Climb the great pasture rocks And dream me mermaid in the sun's Gold flood.

Niagara

Seen on a Night in November

How frail Above the bulk Of crashing water hangs, Autumnal, evanescent, wan, The moon.

Biography

Adelaide Crapsey was an American poet born in 1878 in Brooklyn, New York, and died in 1914 in Rochester, New York. She attended Vassar College and later taught literature at Smith College. Her poetry is notable for its concise, imagistic style and its focus on death, transience, and the natural world. Crapsey created the cinquain, a five-line stanza form influenced by Japanese poetic forms such as the tanka and haiku, which typically follows a syllable pattern of two, four, six, eight, and two. Many of her poems are brief meditations on mortality, written during her long illness with tuberculosis. Her imagery often draws on autumnal scenes, falling leaves, and other symbols of decay and passing time. Crapsey's work was collected posthumously in the volume Verse, published in 1915. The cinquain form she developed later became widely adopted in English-language poetry, particularly in educational settings. Although her output was small, her formal innovation secured her place in the history of American poetry.

Learn Poems app

Pick a short Crapsey poem and learn it today.

Step-by-step learning, voice recordings you can share, and review reminders.

Download on the App StoreGet it on Google Play