Christina Rossetti

Christina Rossetti was a Victorian poet whose works are noted for their devotional intensity and lyrical precision. Her poetry often explores themes of love, death, and religious faith. Biography ↓More ↓

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At Home

When I was dead, my spirit turned To seek the much-frequented house: I passed the door, and saw my friends Feasting beneath green orange boughs; From hand to hand they pushed the wine, They sucked the pulp of plum and peach; They sang, they jested, and they laughed, For each was loved of each.

I listened to thier honest chat: Said one: "To-morrow we shall be Plod plod along the featureless sands, And coasting miles and miles of sea." Said one: "Before the turn of tide We will achieve the eyrie-seat." Said one: "To-morrow shall be like To-day, but much more sweet."

"To-morrow," said they, strong with hope, And dwelt upon the pleasant way: "To-morrow," cried they, one and all, While no one spoke of yesterday. Their life stood full at blessed noon; I, only I, had passed away: "To-morrow and to-day," they cried; I was of yesterday.

I shivered comfortless, but cast No chill across the table-cloth; I, all-forgotten, shivered, sad To stay, and yet to part how loth: I passed from the familiar room, I who from love had passed away, Like the remembrance of a guest That tarrieth but a day.

Before The Paling Of The Stars

Before the winter morn, Before the earliest cock crow, Jesus Christ was born: Born in a stable, Cradled in a manger, In the world his hands had made Born a stranger.

Priest and king lay fast asleep In Jerusalem; Young and old lay fast asleep In crowded Bethlehem; Saint and angel, ox and ass, Kept a watch together Before the Christmas daybreak In the winter weather.

Jesus on his mother's breast In the stable cold, Spotless lamb of God was he, Shepherd of the fold: Let us kneel with Mary maid, With Joseph bent and hoary, With saint and angel, ox and ass, To hail the King of Glory.

Winter: My Secret

I tell my secret? No indeed, not I: Perhaps some day, who knows? But not today; it froze, and blows, and snows, And you're too curious: fie! You want to hear it? well: Only, my secret's mine, and I won't tell.

Or, after all, perhaps there's none: Suppose there is no secret after all, But only just my fun. Today's a nipping day, a biting day; In which one wants a shawl, A veil, a cloak, and other wraps: I cannot ope to every one who taps, And let the draughts come whistling thro' my hall; Come bounding and surrounding me, Come buffeting, astounding me, Nipping and clipping thro' my wraps and all. I wear my mask for warmth: who ever shows His nose to Russian snows To be pecked at by every wind that blows? You would not peck? I thank you for good will, Believe, but leave that truth untested still.

Spring's and expansive time: yet I don't trust March with its peck of dust, Nor April with its rainbow-crowned brief showers, Nor even May, whose flowers One frost may wither thro' the sunless hours. Perhaps some languid summer day, When drowsy birds sing less and less, And golden fruit is ripening to excess, If there's not too much sun nor too much cloud, And the warm wind is neither still nor loud, Perhaps my secret I may say, Or you may guess.

From Sunset to Star Rise

Go from me, summer friends, and tarry not: I am no summer friend, but wintry cold, A silly sheep benighted from the fold, A sluggard with a thorn-choked garden plot. Take counsel, sever from my lot your lot, Dwell in your pleasant places, hoard your gold; Lest you with me should shiver on the wold, Athirst and hungering on a barren spot. For I have hedged me with a thorny hedge, I live alone, I look to die alone: Yet sometimes, when a wind sighs through the sedge, Ghosts of my buried years, and friends come back, My heart goes sighing after swallows flown On sometime summer's unreturning track.

Is it Well with the Child?

SAFE where I cannot die yet, Safe where I hope to lie too, Safe from the fume and the fret; You, and you, Whom I never forget. Safe from the frost and the snow, Safe from the storm and the sun, Safe where the seeds wait to grow One by one, And to come back in blow.

A Birthday

My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like an apple-tree Whose boughs are bent with thickset fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me.

Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me.

A Better Ressurection

I have no wit, no words, no tears; My heart within me like a stone Is numbed too much for hopes or fears. Look right, look left, I dwell alone; I lift mine eyes, but dimmed with grief No everlasting hills I see; My life is in the falling leaf: O Jesus, quicken me.

My life is like a faded leaf, My harvest dwindled to a husk: Truly my life is void and brief And tedious in the barren dusk; My life is like a frozen thing, No bud nor greenness can I see: Yet rise it shall--the sap of spring; O Jesus, rise in me.

My life is like a broken bowl, A broken bowl that cannot hold One drop of water for my soul Or cordial in the searching cold; Cast in the fire the perished thing; Melt and remould it, till it be A royal cup for Him, my King: O Jesus, drink of me.

No, Thank You John

I never said I loved you, John: Why will you tease me day by day, And wax a weariness to think upon With always "do" and "pray"?

You Know I never loved you, John; No fault of mine made me your toast: Why will you haunt me with a face as wan As shows an hour-old ghost?

I dare say Meg or Moll would take Pity upon you, if you'd ask: And pray don't remain single for my sake Who can't perform the task.

I have no heart?-Perhaps I have not; But then you're mad to take offence That don't give you what I have not got: Use your common sense.

Let bygones be bygones: Don't call me false, who owed not to be true: I'd rather answer "No" to fifty Johns Than answer "Yes" to you.

Let's mar our plesant days no more, Song-birds of passage, days of youth: Catch at today, forget the days before: I'll wink at your untruth.

Let us strike hands as hearty friends; No more, no less; and friendship's good: Only don't keep in veiw ulterior ends, And points not understood

In open treaty. Rise above Quibbles and shuffling off and on: Here's friendship for you if you like; but love,- No, thank you, John.

Biography

She was born in London in 1830 to a family of Italian-English scholars and artists. She was closely connected to the Pre-Raphaelite movement through her brothers, the poet and painter Dante Gabriel Rossetti and the critic William Michael Rossetti. Her poetry is characterized by a blend of sensuous imagery and religious devotion, often reflecting Anglo-Catholic themes. She wrote extensively about love, loss, nature, and the fleetingness of earthly life. Her most famous work is the narrative poem 'Goblin Market,' a richly allegorical tale of temptation and sisterly sacrifice. Other notable collections include 'The Prince's Progress and Other Poems' and 'A Pageant and Other Poems.' She also composed devotional prose and hymns, such as the well-known carol 'In the Bleak Midwinter.' Her sonnet sequence 'Monna Innominata' reimagines the Petrarchan tradition from a female perspective. After a long illness, she died in 1894. She remains a central figure in Victorian literature, admired for her technical mastery and emotional depth.

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