John Keats
Most common moods
Poems
Happy Is England! I Could Be Content
- To My Brothers
- A Thing of Beauty (Endymion)
- To Homer
- Give Me Women, Wine, and Snuff
- To Autumn
- Written On A Summer Evening
- To My Brother George
- Bards of Passion and of Mirth, written on the Blank Page before Beaumont and Fletcher's Tragi-Comedy 'The Fair Maid of the Inn'
- On First Looking Into Chapman's Homer
- In Drear-Nighted December
- Ode On A Grecian Urn
- Stanzas
- Bright Star, Would I Were Steadfast As Thou Art
- To A Friend Who Sent Me Some Roses
- Ode To Autumn
The first poems in full
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To My Brothers
Small, busy flames play through the fresh-laid coals, And their faint cracklings o'er our silence creep Like whispers of the household gods that keep A gentle empire o'er fraternal souls. And while for rhymes I search around the poles, Your eyes are fixed, as in poetic sleep, Upon the lore so voluble and deep, That aye at fall of night our care condoles. This is your birthday, Tom, and I rejoice That thus it passes smoothly, quietly: Many such eves of gently whispering noise May we together pass, and calmly try What are this world's true joys,—ere the great Voice From its fair face shall bid our spirits fly.
A Thing of Beauty (Endymion)
A thing of beauty is a joy for ever: Its lovliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth, Spite of despondence, of the inhuman dearth Of noble natures, of the gloomy days, Of all the unhealthy and o'er-darkn'd ways Made for our searching: yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid-forest brake, Rich with a sprinkling of fair musk-rose blooms: And such too is the grandeur of the dooms We have imagined for the mighty dead; An endless fountain of immortal drink, Pouring unto us from the heaven's brink.
To Homer
Standing aloof in giant ignorance, Of thee I hear and of the Cyclades, As one who sits ashore and longs perchance To visit dolphin-coral in deep seas. So thou wast blind;--but then the veil was rent, For Jove uncurtain'd Heaven to let thee live, And Neptune made for thee a spumy tent, And Pan made sing for thee his forest-hive; Aye on the shores of darkness there is light, And precipices show untrodden green, There is a budding morrow in midnight, There is a triple sight in blindness keen; Such seeing hadst thou, as it once befel To Dian, Queen of Earth, and Heaven, and Hell.
Give Me Women, Wine, and Snuff
GIVE me women, wine, and snuff Untill I cry out "hold, enough!" You may do so sans objection Till the day of resurrection: For, bless my beard, they aye shall be My beloved Trinity.
To Autumn
I Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o'er-brimm'd their clammy cells.
II Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours.
III Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,-- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
Written On A Summer Evening
The church bells toll a melancholy round, Calling the people to some other prayers, Some other gloominess, more dreadful cares, More harkening to the sermon's horrid sound. Surely the mind of man is closely bound In some blind spell: seeing that each one tears Himself from fireside joys and Lydian airs, And converse high of those with glory crowned. Still, still they toll, and I should feel a damp, A chill as from a tomb, did I not know That they are dying like an outburnt lamp,— That 'tis their sighing, wailing, ere they go Into oblivion—that fresh flowers will grow, And many glories of immortal stamp.
To My Brother George
Many the wonders I this day have seen: The sun, when first he kissed away the tears That filled the eyes of Morn;—the laurelled peers Who from the feathery gold of evening lean;— The ocean with its vastness, its blue green, Its ships, its rocks, its caves, its hopes, its fears, Its voice mysterious, which whoso hears Must think on what will be, and what has been. E'en now, dear George, while this for you I write, Cynthia is from her silken curtains peeping So scantly, that it seems her bridal night, And she her half-discovered revels keeping. But what, without the social thought of thee, Would be the wonders of the sky and sea?
Bards of Passion and of Mirth, written on the Blank Page before Beaumont and Fletcher's Tragi-Comedy 'The Fair Maid of the Inn'
BARDS of Passion and of Mirth, Ye have left your souls on earth! Have ye souls in heaven too, Doubled-lived in regions new? Yes, and those of heaven commune With the spheres of sun and moon; With the noise of fountains wondrous, And the parle of voices thund'rous; With the whisper of heaven's trees And one another, in soft ease Seated on Elysian lawns Browsed by none but Dian's fawns; Underneath large blue-bells tented, Where the daisies are rose-scented, And the rose herself has got Perfume which on earth is not; Where the nightingale doth sing Not a senseless, tranced thing, But divine melodious truth; Philosophic numbers smooth; Tales and golden histories Of heaven and its mysteries.
Thus ye live on high, and then On the earth ye live again; And the souls ye left behind you Teach us, here, the way to find you, Where your other souls are joying, Never slumber'd, never cloying. Here, your earth-born souls still speak To mortals, of their little week; Of their sorrows and delights; Of their passions and their spites; Of their glory and their shame; What doth strengthen and what maim. Thus ye teach us, every day, Wisdom, though fled far away.
Bards of Passion and of Mirth, Ye have left your souls on earth! Ye have souls in heaven too, Double-lived in regions new!
Biography
He was an English poet of the Romantic era, who wrote some of the most enduring verse in the English language despite his brief life. His work often celebrates the intensity of sensory experience, drawing lush, tactile images from nature, myth, and art. Central preoccupations include the tension between transient beauty and eternal truth, the relationship between suffering and creativity, and the pursuit of an ideal beyond mortal reach. Stylistically, his poetry is marked by rich, melodic language, synesthesia, and a masterful use of the ode form. Developed his theory of negative capability, valuing the ability to dwell in uncertainty without irritable reaching after fact. His most acclaimed works include the odes 'To a Nightingale,' 'On a Grecian Urn,' and 'To Autumn,' as well as the narrative poem 'Endymion.' Though initially met with harsh criticism, his posthumous influence has been profound, shaping the aesthetic and symbolic movements. He is now widely regarded as a cornerstone of the Romantic canon, admired for the depth and sensuality of his poetic vision.
