Robert Herrick
Most common moods
Most common topics
Poems
TO THE WILLOW-TREE
- ART ABOVE NATURE: TO JULIA
- SOFT MUSIC
- TO ENJOY THE TIME
- LOSS FROM THE LEAST
- A Christmas Carol, Sung to the King in the Presence at White-Hall
- To his Girls
- UPON MRS ELIZ. WHEELER, UNDER THE NAME OFAMARILLIS
- WHY FLOWERS CHANGE COLOUR
- TO PRIMROSES FILLED WITH MORNING DEW
- TO HIS SAVIOUR, A CHILD;A PRESENT, BY A CHILD
- THE PARLIAMENT OF ROSES TO JULIA
- Another Grace For A Child
- THE PRIMROSE
- TO MUSIC, TO BECALM HIS FEVER
- TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK
- Time was upon
Show more poems38Show fewer poems
- COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
- UPON THE LOSS OF HIS MISTRESSES
- UPON A PAINTED GENTLEWOMAN
- HOW SPRINGS CAME FIRST
- UPON A CHILD
- UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETHHERRICK
- FAREWELL FROST, OR WELCOME SPRING
- TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
- TO THE LADY CREWE, UPON THE DEATH OF HER CHILD
- His Prayer For Absolution
- TO MUSIC
- TO A GENTLEWOMAN, OBJECTING TO HIM HISGRAY HAIRS
- GRACE FOR A CHILD
- TO MUSIC: A SONG
- TO THE ROSE: SONG
- TO THE VIRGINS, TO MAKE MUCH OF TIME
- NO FAULT IN WOMEN
- HIS MISTRESS TO HIM AT HIS FAREWELL
- LIFE IS THE BODY'S LIGHT
- MATINS, OR MORNING PRAYER
- AN EPITAPH UPON A CHILD
- An Ode to Master Endymion Porter, Upon His Brother's Death
- A Lyric to Mirth
- TO MUSIC, TO BECALM A SWEET SICK YOUTH
- THE CEREMONIES FOR CANDLEMAS DAY
- His Prayer To Ben Jonson
- To Virgins, to Make Much of Time
- UPON ROSES
- TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
- THE FUNERAL RITES OF THE ROSE
- MRS ELIZ: WHEELER, UNDER THE NAME OF THELOST SHEPHERDESS
- THE OLD WIVES' PRAYER
- TO HEAVEN
- THE APRON OF FLOWERS
- THE DEFINITION OF BEAUTY
- A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
- PEACE NOT PERMANENT
- THE SUCCESSION OF THE FOUR SWEET MONTHS
The first poems in full
Read them hereShow fewer poems
ART ABOVE NATURE: TO JULIA
When I behold a forest spread With silken trees upon thy head; And when I see that other dress Of flowers set in comeliness; When I behold another grace In the ascent of curious lace, Which, like a pinnacle, doth shew The top, and the top-gallant too; Then, when I see thy tresses bound Into an oval, square, or round, And knit in knots far more than I. Can tell by tongue, or True-love tie; Next, when those lawny films I see Play with a wild civility; And all those airy silks to flow, Alluring me, and tempting so-- I must confess, mine eye and heart Dotes less on nature than on art.
SOFT MUSIC
The mellow touch of music most doth wound The soul, when it doth rather sigh, than sound.
TO ENJOY THE TIME
While fates permit us, let's be merry; Pass all we must the fatal ferry; And this our life, too, whirls away, With the rotation of the day.
LOSS FROM THE LEAST
Great men by small means oft are overthrown; He's lord of thy life, who contemns his own.
A Christmas Carol, Sung to the King in the Presence at White-Hall
Chorus.
What sweeter music can we bring, Than a Carol, for to sing The Birth of this our heavenly King? Awake the Voice! Awake the String! Heart, Ear, and Eye, and every thing Awake! the while the active Finger Runs division with the Singer.
From the Flourish they came to the Song.
Voice 1: Dark and dull night, fly hence away, And give the honor to this Day, That sees December turn'd to May.
Voice 2: If we may ask the reason, say: The why, and wherefore all things here Seem like the Spring-time fo the year?
Voice 3: Why does the chilling Winter's morn Smile, like a field beset with corn? Or smell, like to a mead new-shorn, Thus, on the sudden?
Voice 4: Come and see The cause, why things thus fragrant be: 'Tis He is born, whose quick'ning Birth Gives life and luster, public mirth, To Heaven and the under-Earth.
Chorus: We see Him come, and know Him ours, Who, with His Sun-shine, and His Showers, Turns all the patient ground to flowers.
Voice 1: The Darling of the World is come, And fit it is, we find a room To welcome Him.
Voice 2: The nobler part Of all the house here, is the Heart,
Chorus: Which we will give Him; and bequeath This Holly and this Ivy Wreath, To do Him honor; who's our King, And Lord of all this Revelling.
To his Girls
Wanton wenches do not bring For my hairs black colouring : For my locks, girls, let 'em be Grey or white, all's one to me.
UPON MRS ELIZ. WHEELER, UNDER THE NAME OFAMARILLIS
Sweet Amarillis, by a spring's Soft and soul-melting murmurings, Slept; and thus sleeping, thither flew A Robin-red-breast; who at view, Not seeing her at all to stir, Brought leaves and moss to cover her: But while he, perking, there did pry About the arch of either eye, The lid began to let out day,-- At which poor Robin flew away; And seeing her not dead, but all disleaved, He chirpt for joy, to see himself deceived.
WHY FLOWERS CHANGE COLOUR
These fresh beauties, we can prove, Once were virgins, sick of love, Turn'd to flowers: still in some, Colours go and colours come.
Biography
Robert Herrick (1591–1674) was a 17th-century English poet and clergyman. He is best known for his collection 'Hesperides', published in 1648, which contains over a thousand short poems, many on love, beauty, and the transience of life. Herrick's poetry often embraces carpe diem themes, urging readers to seize the day and enjoy earthly pleasures before they fade. His style is lyrical and polished, drawing on classical Roman and Greek models, particularly the lyric verse of Catullus and Anacreon. As a member of the 'Sons of Ben', he was influenced by Ben Jonson's emphasis on craftsmanship and wit. Much of his work reflects a deep appreciation for the English countryside, rural customs, and the seasons, blending pagan and Christian imagery. Alongside 'Hesperides', he published 'Noble Numbers', a collection of religious poems, revealing a more devotional side. Herrick served as vicar of Dean Prior in Devonshire, a setting that inspired many of his rustic poems. While his work fell into obscurity after his death, it was revived in the 19th century and he is now regarded as one of the finest lyric poets of the Caroline era.
