Robert Louis Stevenson

Robert Louis Stevenson was a Scottish poet, novelist, and essayist of the late 19th century. His poetry is best known for the collection A Child’s Garden of Verses, celebrated for its musicality and vivid depiction of childhood. Biography ↓More ↓

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Flower God, God Of The Spring

FLOWER god, god of the spring, beautiful, bountiful, Cold-dyed shield in the sky, lover of versicles, Here I wander in April Cold, grey-headed; and still to my Heart, Spring comes with a bound, Spring the deliverer, Spring, song-leader in woods, chorally resonant; Spring, flower-planter in meadows, Child-conductor in willowy Fields deep dotted with bloom, daisies and crocuses: Here that child from his heart drinks of eternity: O child, happy are children! She still smiles on their innocence, She, dear mother in God, fostering violets, Fills earth full of her scents, voices and violins: Thus one cunning in music Wakes old chords in the memory: Thus fair earth in the Spring leads her performances. One more touch of the bow, smell of the virginal Green - one more, and my bosom Feels new life with an ecstasy.

If This Were Faith

God, if this were enough, That I see things bare to the buff And up to the buttocks in mire; That I ask nor hope nor hire, Nut in the husk, Nor dawn beyond the dusk, Nor life beyond death: God, if this were faith!

Having felt thy wind in my face Spit sorrow and disgrace, Having seen thine evil doom In Golgotha and Khartoum, And the brutes, the work of thine hands, Fill with injustice lands And stain with blood the sea: If still in my veins the glee Of the black night and the sun And the lost battle, run: If, an adept, The iniquitous lists I still accept With joy, and joy to endure and be withstood, And still to battle and perish for a dream of good: God, if that were enough!

If to feel, in the ink of the slough, And the sink of the mire, Veins of glory and fire Run through and transpierce and transpire, And a secret purpose of glory in every part, And the answering glory of battle fill my heart; To thrill with the joy of girded men To go on for ever and fail and go on again, And be mauled to the earth and arise, And contend for the shade of a word and a thing not seen with the eyes: With the half of a broken hope for a pillow at night That somehow the right is the right And the smooth shall bloom from the rough: Lord, if that were enough!

God Gave To Me A Child In Part

GOD gave to me a child in part, Yet wholly gave the father's heart: Child of my soul, O whither now, Unborn, unmothered, goest thou?

You came, you went, and no man wist; Hapless, my child, no breast you kist; On no dear knees, a privileged babbler, clomb, Nor knew the kindly feel of home.

My voice may reach you, O my dear- A father's voice perhaps the child may hear; And, pitying, you may turn your view On that poor father whom you never knew.

Alas! alone he sits, who then, Immortal among mortal men, Sat hand in hand with love, and all day through With your dear mother wondered over you.

Men Are Heaven's Piers

MEN are Heaven's piers; they evermore Unwearying bear the skyey floor; Man's theatre they bear with ease, Unfrowning cariatides! I, for my wife, the sun uphold, Or, dozing, strike the seasons cold. She, on her side, in fairy-wise Deals in diviner mysteries, By spells to make the fuel burn And keep the parlour warm, to turn Water to wine, and stones to bread, By her unconquered hero-head. A naked Adam, naked Eve, Alone the primal bower we weave; Sequestered in the seas of life, A Crusoe couple, man and wife, With all our good, with all our will, Our unfrequented isle we fill; And victor in day's petty wars, Each for the other lights the stars. Come then, my Eve, and to and fro Let us about our garden go; And, grateful-hearted, hand in hand Revisit all our tillage land, And marvel at our strange estate, For hooded ruin at the gate Sits watchful, and the angels fear To see us tread so boldly here. Meanwhile, my Eve, with flower and grass Our perishable days we pass; Far more the thorn observe - and see How our enormous sins go free - Nor less admire, beside the rose, How far a little virtue goes.

Good and Bad Children

Children, you are very little, And your bones are very brittle; If you would grow great and stately, You must try to walk sedately.

You must still be bright and quiet, And content with simple diet; And remain, through all bewild'ring, Innocent and honest children.

Happy hearts and happy faces, Happy play in grassy places-- That was how in ancient ages, Children grew to kings and sages.

But the unkind and the unruly, And the sort who eat unduly, They must never hope for glory-- Theirs is quite a different story!

Cruel children, crying babies, All grow up as geese and gabies, Hated, as their age increases, By their nephews and their nieces.

Envoy For "A Child's Garden Of Verses"

WHETHER upon the garden seat You lounge with your uplifted feet Under the May's whole Heaven of blue; Or whether on the sofa you, No grown up person being by, Do some soft corner occupy; Take you this volume in your hands And enter into other lands, For lo! (as children feign) suppose You, hunting in the garden rows, Or in the lumbered attic, or The cellar - a nail-studded door And dark, descending stairway found That led to kingdoms underground: There standing, you should hear with ease Strange birds a-singing, or the trees Swing in big robber woods, or bells On many fairy citadels:

There passing through (a step or so - Neither mamma nor nurse need know!) From your nice nurseries you would pass, Like Alice through the Looking-Glass Or Gerda following Little Ray, To wondrous countries far away. Well, and just so this volume can Transport each little maid or man Presto from where they live away Where other children used to play. As from the house your mother sees You playing round the garden trees, So you may see if you but look Through the windows of this book Another child far, far away And in another garden play. But do not think you can at all, By knocking on the window, call That child to hear you. He intent Is still on his play-business bent. He does not hear, he will not look, Nor yet be lured out of this book. For long ago, the truth to say, He has grown up and gone away; And it is but a child of air That lingers in the garden there.

St. Martin's Summer

AS swallows turning backward When half-way o'er the sea, At one word's trumpet summons They came again to me - The hopes I had forgotten Came back again to me.

I know not which to credit, O lady of my heart! Your eyes that bade me linger, Your words that bade us part - I know not which to credit, My reason or my heart.

But be my hopes rewarded, Or be they but in vain, I have dreamed a golden vision, I have gathered in the grain - I have dreamed a golden vision, I have not lived in vain.

Farewell

FAREWELL, and when forth I through the Golden Gates to Golden Isles Steer without smiling, through the sea of smiles, Isle upon isle, in the seas of the south, Isle upon island, sea upon sea, Why should I sail, why should the breeze? I have been young, and I have counted friends. A hopeless sail I spread, too late, too late. Why should I from isle to isle Sail, a hopeless sailor?

Biography

Robert Louis Stevenson was born in 1850 in Edinburgh, Scotland, and died in 1894. He wrote across genres, including novels, travelogues, and poetry. His most enduring poetic work is A Child’s Garden of Verses (1885), a collection of lyrical poems that capture the perspective and imagination of a child. The poems employ simple language, rhythmic meters, and often nostalgic themes of play, dreams, and nature. Beyond this collection, Stevenson wrote other poems, including those in Underwoods (1887), which reflect his mature voice and Scottish dialect influences. His poetry is marked by clarity, musicality, and a deep sense of wonder. While his novels gained wider fame, his verse remains influential, particularly for its genuine depiction of childhood experience. A Child’s Garden of Verses has become a classic of English-language children’s literature. Stevenson’s literary range and versatile style have secured his place in Victorian letters.

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