Rupert Brooke

Rupert Brooke was an English poet of the early 20th century, best known for his idealistic war sonnets written during World War I. His poetry is noted for its patriotic fervor and romantic imagery, capturing the early optimism of the war. Biografía ↓Más ↓

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The Little Dog's Day

All in the town were still asleep, When the sun came up with a shout and a leap. In the lonely streets unseen by man, A little dog danced. And the day began.

All his life he'd been good, as far as he could, And the poor little beast had done all that he should. But this morning he swore, by Odin and Thor And the Canine Valhalla—he'd stand it no more!

So his prayer he got granted—to do just what he wanted, Prevented by none, for the space of one day. "Jam incipiebo, sedere facebo," In dog-Latin he quoth, "Euge! sophos! hurray!"

He fought with the he-dogs, and winked at the she-dogs, A thing that had never been heard of before. "For the stigma of gluttony, I care not a button!" he Cried, and ate all he could swallow—and more.

He took sinewy lumps from the shins of old frumps, And mangled the errand-boys—when he could get 'em. He shammed furious rabies, and bit all the babies, And followed the cats up the trees, and then ate 'em!"

They thought 'twas the devil was holding a revel, And sent for the parson to drive him away; For the town never knew such a hullabaloo As that little dog raised—till the end of that day.

When the blood-red sun had gone burning down, And the lights were lit in the little town, Outside, in the gloom of the twilight grey, The little dog died when he'd had his day.

1914 V: The Soldier

If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven.

I. Peace

Now, God be thanked Who has matched us with His hour, And caught our youth, and wakened us from sleeping, With hand made sure, clear eye, and sharpened power, To turn, as swimmers into cleanness leaping, Glad from a world grown old and cold and weary, Leave the sick hearts that honour could not move, And half-men, and their dirty songs and dreary, And all the little emptiness of love!

Oh! we, who have known shame, we have found release there, Where there's no ill, no grief, but sleep has mending, Naught broken save this body, lost but breath; Nothing to shake the laughing heart's long peace there But only agony, and that has ending; And the worst friend and enemy is but Death.

There's Wisdom In Women

"Oh love is fair, and love is rare;" my dear one she said, "But love goes lightly over." I bowed her foolish head, And kissed her hair and laughed at her. Such a child was she; So new to love, so true to love, and she spoke so bitterly.

But there's wisdom in women, of more than they have known, And thoughts go blowing through them, are wiser than their own, Or how should my dear one, being ignorant and young, Have cried on love so bitterly, with so true a tongue?

The Night Journey

Hands and lit faces eddy to a line; The dazed last minutes click; the clamour dies. Beyond the great-swung arc o' the roof, divine, Night, smoky-scarv'd, with thousand coloured eyes

Glares the imperious mystery of the way. Thirsty for dark, you feel the long-limbed train Throb, stretch, thrill motion, slide, pull out and sway, Strain for the far, pause, draw to strength again. . . .

As a man, caught by some great hour, will rise, Slow-limbed, to meet the light or find his love; And, breathing long, with staring sightless eyes, Hands out, head back, agape and silent, move

Sure as a flood, smooth as a vast wind blowing; And, gathering power and purpose as he goes, Unstumbling, unreluctant, strong, unknowing, Borne by a will not his, that lifts, that grows,

Sweep out to darkness, triumphing in his goal, Out of the fire, out of the little room. . . . -- There is an end appointed, O my soul! Crimson and green the signals burn; the gloom

Is hung with steam's far-blowing livid streamers. Lost into God, as lights in light, we fly, Grown one with will, end-drunken huddled dreamers. The white lights roar. The sounds of the world die.

And lips and laughter are forgotten things. Speed sharpens; grows. Into the night, and on, The strength and splendour of our purpose swings. The lamps fade; and the stars. We are alone.

Sonnet: Oh! Death will find me, long before I tire

Oh! Death will find me, long before I tire Of watching you; and swing me suddenly Into the shade and loneliness and mire Of the last land! There, waiting patiently,

One day, I think, I'll feel a cool wind blowing, See a slow light across the Stygian tide, And hear the Dead about me stir, unknowing, And tremble. And I shall know that you have died,

And watch you, a broad-browed and smiling dream, Pass, light as ever, through the lightless host, Quietly ponder, start, and sway, and gleam -- Most individual and bewildering ghost! --

And turn, and toss your brown delightful head Amusedly, among the ancient Dead.

Sonnet: I said I splendidly loved you; it's not true

I said I splendidly loved you; it's not true. Such long swift tides stir not a land-locked sea. On gods or fools the high risk falls -- on you -- The clean clear bitter-sweet that's not for me. Love soars from earth to ecstasies unwist. Love is flung Lucifer-like from Heaven to Hell. But -- there are wanderers in the middle mist, Who cry for shadows, clutch, and cannot tell Whether they love at all, or, loving, whom: An old song's lady, a fool in fancy dress, Or phantoms, or their own face on the gloom; For love of Love, or from heart's loneliness. Pleasure's not theirs, nor pain. They doubt, and sigh, And do not love at all. Of these am I.

Sleeping Out: Full Moon

They sleep within. . . . I cower to the earth, I waking, I only. High and cold thou dreamest, O queen, high-dreaming and lonely.

We have slept too long, who can hardly win The white one flame, and the night-long crying; The viewless passers; the world's low sighing With desire, with yearning, To the fire unburning, To the heatless fire, to the flameless ecstasy! . . .

Helpless I lie. And around me the feet of thy watchers tread. There is a rumour and a radiance of wings above my head, An intolerable radiance of wings. . . .

All the earth grows fire, White lips of desire Brushing cool on the forehead, croon slumbrous things. Earth fades; and the air is thrilled with ways, Dewy paths full of comfort. And radiant bands, The gracious presence of friendly hands, Help the blind one, the glad one, who stumbles and strays, Stretching wavering hands, up, up, through the praise Of a myriad silver trumpets, through cries, To all glory, to all gladness, to the infinite height, To the gracious, the unmoving, the mother eyes, And the laughter, and the lips, of light.

Biografía

Rupert Brooke was an English poet born in 1887. He became one of the most celebrated poets of the early 20th century, associated with the Georgian Poetry movement. His poetry often blended traditional forms with a lyrical, romantic sensibility, frequently exploring themes of nature, love, and patriotism. His war sonnets, particularly "The Soldier," expressed a noble, self-sacrificial view of war that resonated deeply with the public during the early stages of World War I. Brooke's untimely death in 1915 en route to Gallipoli cemented his status as a symbol of youthful idealism and lost promise. His collection "1914 & Other Poems" was published posthumously and achieved widespread popularity. Though later reassessed against the disillusionment of later war poets, his work remains a poignant testament to the pre-war and early-war sensibility.

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