Sidney Lanier

Sidney Lanier was an American poet and musician of the late 19th century. His poetry is known for its musicality and vivid depictions of the Southern landscape. Biography ↓More ↓

Poems

The first poems in full

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Spring Greeting

From the German of Herder.

All faintly through my soul to-day, As from a bell that far away Is tinkled by some frolic fay, Floateth a lovely chiming. Thou magic bell, to many a fell And many a winter-saddened dell Thy tongue a tale of Spring doth tell, Too passionate-sweet for rhyming.

Chime out, thou little song of Spring, Float in the blue skies ravishing. Thy song-of-life a joy doth bring That's sweet, albeit fleeting. Float on the Spring-winds e'en to my home: And when thou to a rose shalt come That hath begun to show her bloom, Say, I send her greeting!

Rose-Morals

I. -- Red.

Would that my songs might be What roses make by day and night -- Distillments of my clod of misery Into delight.

Soul, could'st thou bare thy breast As yon red rose, and dare the day, All clean, and large, and calm with velvet rest? Say yea -- say yea!

Ah, dear my Rose, good-bye; The wind is up; so; drift away. That songs from me as leaves from thee may fly, I strive, I pray.

II. -- White.

Soul, get thee to the heart Of yonder tuberose: hide thee there -- There breathe the meditations of thine art Suffused with prayer.

Of spirit grave yet light, How fervent fragrances uprise Pure-born from these most rich and yet most white Virginities!

Mulched with unsavory death, Grow, Soul! unto such white estate, That virginal-prayerful art shall be thy breath, Thy work, thy fate.

From The Flats.

What heartache -- ne'er a hill! Inexorable, vapid, vague and chill The drear sand-levels drain my spirit low. With one poor word they tell me all they know; Whereat their stupid tongues, to tease my pain, Do drawl it o'er again and o'er again. They hurt my heart with griefs I cannot name: Always the same, the same.

Nature hath no surprise, No ambuscade of beauty 'gainst mine eyes From brake or lurking dell or deep defile; No humors, frolic forms -- this mile, that mile; No rich reserves or happy-valley hopes Beyond the bend of roads, the distant slopes. Her fancy fails, her wild is all run tame: Ever the same, the same.

Oh might I through these tears But glimpse some hill my Georgia high uprears, Where white the quartz and pink the pebble shine, The hickory heavenward strives, the muscadine Swings o'er the slope, the oak's far-falling shade Darkens the dogwood in the bottom glade, And down the hollow from a ferny nook Bright leaps a living brook!

Baby Charley.

He's fast asleep. See how, O Wife, Night's finger on the lip of life Bids whist the tongue, so prattle-rife, Of busy Baby Charley.

One arm stretched backward round his head, Five little toes from out the bed Just showing, like five rosebuds red, -- So slumbers Baby Charley.

Heaven-lights, I know, are beaming through Those lucent eyelids, veined with blue, That shut away from mortal view Large eyes of Baby Charley.

O sweet Sleep-Angel, throned now On the round glory of his brow, Wave thy wing and waft my vow Breathed over Baby Charley.

I vow that my heart, when death is nigh, Shall never shiver with a sigh For act of hand or tongue or eye That wronged my Baby Charley!

A Birthday Song. To S. G.

For ever wave, for ever float and shine Before my yearning eyes, oh! dream of mine Wherein I dreamed that time was like a vine,

A creeping rose, that clomb a height of dread Out of the sea of Birth, all filled with dead, Up to the brilliant cloud of Death o'erhead.

This vine bore many blossoms, which were years. Their petals, red with joy, or bleached by tears, Waved to and fro i' the winds of hopes and fears.

Here all men clung, each hanging by his spray. Anon, one dropped; his neighbor 'gan to pray; And so they clung and dropped and prayed, alway.

But I did mark one lately-opened bloom, Wherefrom arose a visible perfume That wrapped me in a cloud of dainty gloom.

And rose -- an odor by a spirit haunted -- And drew me upward with a speed enchanted, Swift floating, by wild sea or sky undaunted,

Straight through the cloud of death, where men are free. I gained a height, and stayed and bent my knee. Then glowed my cloud, and broke and unveiled thee.

"O flower-born and flower-souled!" I said, "Be the year-bloom that breathed thee ever red, Nor wither, yellow, down among the dead.

"May all that cling to sprays of time, like me, Be sweetly wafted over sky and sea By rose-breaths shrining maidens like to thee!"

Then while we sat upon the height afar Came twilight, like a lover late from war, With soft winds fluting to his evening star.

And the shy stars grew bold and scattered gold, And chanting voices ancient secrets told, And an acclaim of angels earthward rolled.

Struggle

My soul is like the oar that momently Dies in a desperate stress beneath the wave, Then glitters out again and sweeps the sea: Each second I'm new-born from some new grave.

Biography

Sidney Lanier was an American poet, musician, and academic who lived from 1842 to 1881. He served in the Confederate army during the Civil War, and his experiences influenced his later work. His poetry often explores themes of nature, spirituality, and the relationship between music and verse. Lanier's style is characterized by its rhythmic complexity and rich sensory imagery, aiming to replicate the effects of music through language. He is best known for poems such as 'The Marshes of Glynn' and 'Song of the Chattahoochee,' which celebrate the beauty of the American South. He also wrote a significant volume of literary criticism and lectured on English literature. Despite his short life, his work contributed to the development of American poetry in the post-Civil War era. His emphasis on the musical qualities of verse influenced later poets.

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