W. B. Yeats

W. B. Yeats was an Irish poet and playwright of the late nineteenth and early twentieth centuries. His poetry is known for its engagement with Irish mythology, mysticism, and political themes. Biography ↓More ↓

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Running to Paradise

As I came over Windy Gap They threw a halfpenny into my cap, For I am running to Paradise; And all that I need do is to wish And somebody puts his hand in the dish To throw me a bit of salted fish: And there the king is but as the beggar.

My brother Mourteen is worn out With skelping his big brawling lout, And I am running to Paradise; A poor life do what he can, And though he keep a dog and a gun, A serving maid and a serving man: And there the king is but as the beggar.

Poor men have grown to be rich men, And rich men grown to be poor again, And I am running to Paradise; And many a darling wit's grown dull That tossed a bare heel when at school, Now it has filled an old sock full: And there the king is but as the beggar.

The wind is old and still at play While I must hurry upon my way, For I am running to Paradise; Yet never have I lit on a friend To take my fancy like the wind That nobody can buy or bind: And there the king is but as the beggar.

The Player Queen

My mother dandled me and sang, 'How young it is, how young!' And made a golden cradle That on a willow swung.

'He went away,' my mother sang, 'When I was brought to bed,' And all the while her needle pulled The gold and silver thread.

She pulled the thread and bit the thread And made a golden gown, And wept because she had dreamt that I Was born to wear a crown.

'When she was got,' my mother sang, 'I heard a sea-mew cry, And saw a flake of the yellow foam That dropped upon my thigh.'

How therefore could she help but braid The gold into my hair, And dream that I should carry The golden top of care?

The Peacock

What's riches to him That has made a great peacock With the pride of his eye? The wind-beaten, stone-grey, And desolate Three-rock Would nourish his whim. Live he or die Amid wet rocks and heather, His ghost will be gay Adding feather to feather For the pride of his eye.

To a Child Dancing in the Wind

Dance there upon the shore; What need have you to care For wind or water's roar? And tumble out your hair That the salt drops have wet; Being young you have not known The fool's triumph, nor yet Love lost as soon as won, Nor the best labourer dead And all the sheaves to bind. What need have you to dread The monstrous crying of wind?

Has no one said those daring Kind eyes should be more learn'd? Or warned you how despairing The moths are when they are burned, I could have warned you, but you are young, So we speak a different tongue.

O you will take whatever's offered And dream that all the world's a friend, Suffer as your mother suffered, Be as broken in the end. But I am old and you are young, And I speak a barbarous tongue.

A Memory of Youth

The moments passed as at a play, I had the wisdom love brings forth; I had my share of mother wit And yet for all that I could say, And though I had her praise for it, A cloud blown from the cut-throat north Suddenly hid love's moon away.

Believing every word I said I praised her body and her mind Till pride had made her eyes grow bright, And pleasure made her cheeks grow red, And vanity her footfall light, Yet we, for all that praise, could find Nothing but darkness overhead.

We sat as silent as a stone, We knew, though she'd not said a word, That even the best of love must die, And had been savagely undone Were it not that love upon the cry Of a most ridiculous little bird Tore from the clouds his marvellous moon.

Fallen Majesty

Although crowds gathered once if she but showed her face, And even old men's eyes grew dim, this hand alone, Like some last courtier at a gypsy camping place, Babbling of fallen majesty, records what's gone.

The lineaments, a heart that laughter has made sweet, These, these remain, but I record what's gone. A crowd Will gather, and not know it walks the very street Whereon a thing once walked that seemed a burning cloud.

Friends

Now must I these three praise-- Three women that have wrought What joy is in my days; One that no passing thought, Nor those unpassing cares, No, not in these fifteen Many times troubled years, Could ever come between Heart and delighted heart; And one because her hand Had strength that could unbind What none can understand, What none can have and thrive, Youth's dreamy load, till she So changed me that I live Labouring in ecstasy. And what of her that took All till my youth was gone With scarce a pitying look? How should I praise that one? When day begins to break I count my good and bad, Being wakeful for her sake, Remembering what she had, What eagle look still shows, While up from my heart's root So great a sweetness flows I shake from head to foot.

An Appointment

Being out of heart with government I took a broken root to fling Where the proud, wayward squirrel went, Taking delight that he could spring; And he, with that low whinnying sound That is like laughter, sprang again And so to the other tree at a bound. Nor the tame will, nor timid brain, Bred that fierce tooth and cleanly limb And threw him up to laugh on the bough; No government appointed him.

Biography

W. B. Yeats was an Irish poet and playwright born in 1865 and died in 1939. He was a central figure in the Irish Literary Revival and co-founded the Abbey Theatre. His poetry draws on Irish folklore, mythology, and occult symbolism, often addressing themes of love, aging, and national identity. Yeats's style evolved from late Romantic lyricism to a more modern, condensed, and symbolic mode, employing concepts such as the mask and antithesis. He served as a senator of the Irish Free State and was awarded the Nobel Prize in Literature in 1923. His notable collections include The Tower and The Winding Stair and Other Poems.

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