William Cullen Bryant

William Cullen Bryant was a 19th-century American Romantic poet and journalist. His meditative, nature-inspired poetry, often written in blank verse, deeply influenced American literature. Biography ↓More ↓

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The Gladness of Nature

Is this a time to be cloudy and sad, When our mother Nature laughs around; When even the deep blue heavens look glad, And gladness breathes from the blossoming ground?

There are notes of joy from the hang-bird and wren, And the gossip of swallows through all the sky; The ground-squirrel gaily chirps by his den, And the wilding bee hums merrily by.

The clouds are at play in the azure space, And their shadows at play on the bright green vale, And here they stretch to the frolic chase, And there they roll on the easy gale.

There's a dance of leaves in that aspen bower, There's a titter of winds in that beechen tree, There's a smile on the fruit, and a smile on the flower, And a laugh from the brook that runs to the sea.

And look at the broad-faced sun, how he smiles On the dewy earth that smiles in his ray, On the leaping waters and gay young isles; Ay, look, and he'll smile thy gloom away.

Summer Wind

It is a sultry day; the sun has drank The dew that lay upon the morning grass, There is no rustling in the lofty elm That canopies my dwelling, and its shade Scarce cools me. All is silent, save the faint And interrupted murmur of the bee, Settling on the sick flowers, and then again Instantly on the wing. The plants around Feel the too potent fervors; the tall maize Rolls up its long green leaves; the clover droops Its tender foliage, and declines its blooms. But far in the fierce sunshine tower the hills, With all their growth of woods, silent and stern, As if the scortching heat and dazzling light Were but an element they loved. Bright clouds, Motionless pillars of the brazen heaven;-- Their bases on the mountains--their white tops Shining in the far ether--fire the air With a reflected radiance, and make turn The gazer's eye away. For me, I lie Languidly in the shade, where the thick turf, Yet virgin from the kisses of the sun, Retains some freshness, and I woo the wind That still delays its coming. Why so slow, Gentle and voluble spirit of the air? Oh, come and breathe upon the fainting earth Coolness and life. Is it that in his caves He hears me? See, on yonder woody ridge, The pine is bending his proud top, and now, Among the nearer groves, chesnut and oak Are tossing their green boughs about. He comes! Lo, where the grassy meadow runs in wives! The deep distressful silence of the scene Breaks up with mingling of unnumbered sounds And universal motion. He is come, Shaking a shower of blossoms from the shrubs, And bearing on the fragrance; and he brings Music of birds, and rustling of young boughs, And soun of swaying branches, and the voice Of distant waterfalls. All the green herbs Are stirring in his breath; a thousand flowers, By the road-side and the borders of the brook, Nod gaily to each other; glossy leaves Are twinkling in the sun, as if the dew Were on them yet, and silver waters break Into small waves and sparkle as he comes.

The Death of the Flowers

The melancholy days are come, the saddest of the year, Of wailing winds, and naked woods, and meadows brown and sere. Heaped in the hollows of the grove, the autumn leaves lie dead; They rustle to the eddying gust, and to the rabbit's tread; The robin and the wren are flown, and from the shrubs the jay, And from the wood-top calls the crow through all the gloomy day.

Where are the flowers, the fair young flowers, that lately sprang and stood In brighter light and softer airs, a beauteous sisterhood? Alas! they all are in their graves, the gentle race of flowers Are lying in their lowly beds, with the fair and good of ours. The rain is falling where they lie, but the cold November rain Calls not from out the gloomy earth the lovely ones again.

The wind-flower and the violet, they perished long ago, And the brier-rose and the orchis died amid the summer glow; But on the hills the golden-rod, and the aster in the wood, And the yellow sun-flower by the brook in autumn beauty stood, Till fell the frost from the clear cold heaven, as falls the plague on men, And the brightness of their smile was gone, from upland, glade, and glen.

And now, when comes the calm mild day, as still such days will come, To call the squirrel and the bee from out their winter home; When the sound of dropping nuts is heard, though all the trees are still, And twinkle in the smoky light the waters of the rill, The south wind searches for the flowers whose fragrance late he bore, And sighs to find them in the wood and by the stream no more.

And then I think of one who in her youthful beauty died, The fair meek blossom that grew up and faded by my side. In the cold moist earth we laid her, when the forests cast the leaf, And we wept that one so lovely should have a life so brief: Yet not unmeet it was that one, like that young friend of ours, So gentle and so beautiful, should perish with the flowers.

Biography

William Cullen Bryant (1794–1878) was an American poet and long-time editor of the New York Evening Post. He emerged as a leading voice of early American Romanticism with his contemplative, nature-focused verse. His poetry frequently explores themes of mortality, the sublime in nature, and transcendental ideals, employing a plain yet majestic style. Bryant is best remembered for his early masterpiece 'Thanatopsis,' a meditation on death and nature written when he was a teenager. As editor of the Evening Post for nearly five decades, he helped shape public opinion and supported liberal causes such as abolition and free speech. His blank verse translations of Homer further cemented his literary reputation. Bryant's work marked a shift from European imitations toward a distinctly American poetic identity. He remains a foundational figure in the development of American poetry.

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