William Morris
Most common moods
Poems
Song II: Have No Thought for Tomorrow
The first poems in full
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Summer
Summer looked for long am I: Much shall change or e'er I die. Prithee take it not amiss Though I weary thee with bliss.
Summer Dawn
Pray but one prayer for me 'twixt thy closed lips, Think but one thought of me up in the stars. The summer night waneth, the morning light slips, Faint and grey 'twixt the leaves of the aspen, betwixt the cloud-bars That are patiently waiting there for the dawn: Patient and colourless, though Heaven's gold Waits to float through them along with the sun. Far out in the meadows, above the young corn, The heavy elms wait, and restless and cold The uneasy wind rises; the roses are dun; Through the long twilight they pray for the dawn, Round the lone house in the midst of the corn, Speak but one word to me over the corn, Over the tender, bow'd locks of the corn.
Autumn
Laden Autumn here I stand Worn of heart, and weak of hand: Nought but rest seems good to me, Speak the word that sets me free.
Spring
Spring am I, too soft of heart Much to speak ere I depart: Ask the Summer-tide to prove The abundance of my love.
Biography
William Morris (1834–1896) was an English poet, designer, and socialist associated with the Pre-Raphaelite circle. He wrote narrative poetry, lyrical verse, and prose romances throughout his career. His work often revives medieval and Norse legends, blending chivalric themes with vivid natural description. Poems like those in 'The Earthly Paradise' (1868–1870) recount classical and medieval stories in ornate, measured verse. Later, his poetry increasingly engaged with social criticism, as in 'The Pilgrims of Hope' (1885), a narrative of the Paris Commune. His vision of a cooperative society where art and labor are reunited shapes much of his writing. His fusion of aesthetic and political concerns made him a significant precursor to both the Arts and Crafts movement and modern eco-socialist thought.
