Last night I heard your voice, mother,
The words you sang to me
When I, a little barefoot boy,
Knelt down against your knee.
And tears gushed from my heart, mother,
And passed beyond its wall,
But though the fountain reached my throat
The drops refused to fall.
’Tis ten years since you died, mother,
Just ten dark years of pain,
And oh, I only wish that I
Could weep just once again.
Reg wished me to go with him to the field,
I paused because I did not want to go;
But in her quiet way she made me yield
Reluctantly, for she was breathing low.
Her hand she slowly lifted from her lap
And, smiling sadly in the old sweet way,
She pointed to the nail where hung my cap.
Her eyes said: I shall last another day.
But scarcely had we reached the distant place,
When o’er the hills we heard a faint bell ringing;
A boy came running up with frightened face;
We knew the fatal news that he was bringing.
I heard him listlessly, without a moan,
Although the only one I loved was gone.
The dawn departs, the morning is begun,
The trades come whispering from off the seas,
I hear the halting footsteps of a lass
In Negro Harlem when the night lets fall
Its veil. I see the shapes of girls who pass
To bend and barter at desire’s call.
Ah, little dark girls who in slippered feet
Go prowling through the night from street to street!
Through the long night until the silver break
Of day the little gray feet know no rest;
Through the lone night until the last snow-flake
Has dropped from heaven upon the earth’s white breast,
The dusky, half-clad girls of tired feet
Are trudging, thinly shod, from street to street.
Ah, stern harsh world, that in the wretched way
Of poverty, dishonor and disgrace,
Has pushed the timid little feet of clay,
The sacred brown feet of my fallen race!
Aleta mentions in her tender letters,
Among a chain of quaint and touching things,
That you are feeble, weighted down with fetters,
And given to strange deeds and mutterings.
No longer without trace or thought of fear,
Do you leap to and ride the rebel roan;
But have become the victim of grim care,
With three brown beauties to support alone.
But none the less will you be in my mind,
Wild May that cantered by the risky ways,
With showy head-cloth flirting in the wind,
From market in the glad December days;
Wild May of whom even other girls could rave
Before sex tamed your spirit, made you slave.
So detached and cool she is
No motion e’er betrays
The secret life within her soul,
The anguish of her days.
She seems to look upon the world
With cold ironic eyes,
To spurn emotion’s fevered sway,
To scoff at tears and sighs.
But once a woman with a child
Passed by her on the street,
And once she heard from casual lips
A man’s name, bitter-sweet.
Such baffled yearning in her eyes,
Such pain upon her face!
I turned aside until the mask
Was slipped once more in place.
Theirs is the house whose windows — every pane —
Are made of darkly stained or clouded glass :
Sometimes you come upon them in the lane,
The saddest crowd that you will ever pass.
But still we merry town or village folk
Throw to their scattered stare a kindly grin,
And think no shame to stop and crack a joke
With the incarnate wages of man's sin.
None but ourselves in our long gallery we meet,
The moor-hen stepping from her reeds with dainty feet,
The hare-bell bowing on his stem,
Dance not with us ; their pulses beat
To fainter music ; nor do we to them
Make their life sweet.
The gayest crowd that they will ever pass
Are we to brother-shadows in the lane :
What was the name you called me? —
And why did you go so soon?
The crows lift their caw on the wind,
And the wind changed and was lonely.
The warblers cry their sleepy-songs
Across the valley gloaming,
Across the cattle-horns of early stars.
Feathers and people in the crotch of a treetop
Throw an evening waterfall of sleepy-songs.
What was the name you called me? —
And why did you go so soon?
New neighbors came to the corner house at Congress
and Green streets.
The look of their clean white curtains was the same
as the rim of a nun's bonnet.
One way was an oyster pail factory, one way they
made candy, one way paper boxes, strawboard
cartons.
The warehouse trucks shook the dust of the ways
loose and the wheels whirled dust — there was
dust of hoof and wagon wheel and rubber tire —
dust of police and fire wagons — dust of the winds
that circled at midnights and noon listening to no
prayers.
" O mother, I know the heart of you," I sang passing
the rim of a nun's bonnet — O white curtains — and
people clean as the prayers of Jesus here in the
Policeman in front of a bank 3 A.M. . . . lonely.
Policeman State and Madison . . . high noon . . .
mobs . . . cars . . . parcels . . . lonely.
Woman in suburbs . . . keeping night watch on a
sleeping typhoid patient . . . only a clock to talk
to ... lonesome.
Woman selling gloves ... bargain day department
store . . . furious crazy-work of many hands
slipping in and out of gloves . . . lonesome.
The buffaloes are gone.
And those who saw the buffaloes are gone.
Those who saw the buffaloes by thousands and how
they pawed the prairie sod into dust with their
hoofs, their great heads down pawing on in a
great pageant of dusk,
Those who saw the buffaloes are gone.
And the buffaloes are gone.
The law says you and I belong to each other, George.
The law says you are mine and I am yours, George.
And there are a million miles of white snowstorms, a million furnaces of hell,
Between the chair where you sit and the chair where
I sit.
The law says two strangers shall eat breakfast together after nights on the horn of an Arctic moon.
One man killed another. The saying between them
had been " I'd give you the shirt off my back."
The killer wept over the dead. The dead if he looks
back knows the killer was sorry. It was a shot
in one second of hate out of ten years of love.
Why is the sun a red ball in the six o'clock mist?
Why is the moon a tumbling chimney ? . . . tumbling
. . . tumbling . . . " I'd give you the shirt off
my back" . . . And I'll kill you if my head
goes wrong.