"Hallo, hallo!" impatiently he cried,
And I replied,
Sleepily, "Hallo--hallo!"
No sound then; and I stretched
My hand for the receiver, all my nerves
Tingling and listening.
My hand clutched nothing, and I lit
The candle--strange!
I could have sworn it was the shouting wire....
But no!
Besides, a bare and unfamiliar room
And he, why, long-forgotten, maybe dead.
Yet all around,
Filling the silence up with tiny sound,
A million tremulous thin echoings,
"Hallo--hallo--
Standing close by you
In the cold light
Of two tall candles
That measure the dark of night,
I hear the mouse,
The only thing that's moving
In the quiet house.
Don't you hear it,
That furious mouse?
How can you sleep so deep
And that noise in the house?
Won't you stir
At the furious scratching
In the cupboard there?
No! a sharper sound
Would wake you not;
The angry wind
That cursed at me
Was nothing but an evil sprite
Vexed with any man's delight.
And strange it seemed
That a dark wind
Should run down from a mountain steep
And shout as though the world were asleep.
But when he ceased
And silence was--
Who could but fear what evil sprite
Crept through the tunnels of the night?
Last night a sword-light in the sky
Flashed a swift terror on the dark.
In that sharp light the fields did lie
Naked and stone-like; each tree stood
Like a tranced woman, bound and stark.
Far off the wood
With darkness ridged the riven dark.
And cows astonished stared with fear,
And sheep crept to the knees of cows,
And conies to their burrows slid,
And rooks were still in rigid boughs,
And all things else were still or hid.
From all the wood
Came but the owl's hoot, ghostly, clear.
In that cold trance the earth was held
It seemed an age, or time was nought.
Black reapers with the sound of steel on stones
Are sharpening scythes. I see them place the hones
In their hip-pockets as a thing that’s done,
And start their silent swinging, one by one.
Black horses drive a mower through the weeds,
And there, a field rat, startled, squealing bleeds,
His belly close to ground. I see the blade,
Blood-stained, continue cutting weeds and shade.
The snow has ceased its fluttering flight,
The wind sunk to a whisper light,
An ominous stillness fills the night,
A pause--a hush.
At last, a sound that breaks the spell,
Loud, clanging mouthings of a bell,
That through the silence peal and swell,
And roll, and rush.
What does this brazen tongue declare,
That falling on the midnight air
Brings to my heart a sense of care
Akin to fright?
'Tis telling that the year is dead,
The New Year come, the Old Year fled,
Another leaf before me spread
On which to write.
There always is a noise when it is
dark ;
It is the noise of silence and the noise
Of blindness.
The noise of silence and the noise of
blindness
Do frighten me,
They hold me stark and rigid as a
tree !
These frighten me,
These hold me stark and rigid as a
tree !
Because at last their tumult is more
loud
Than thunder.
Because at last
To straight the back, how good; to see the slow
Dispersed cloud-flocks of Heaven wandering blind
Without a shepherd, feel caress the kind
Sweet August air, soft drifting to and fro
Meadow and arable.--Leaning on my hoe
I searched for any beauty eyes might find.
The tossing wood showed silver in the wind;
Green hills drowsed wakeful in the golden glow.
Yet all the air was loud with mutterings,
Rumours of trouble strange in that rich peace,
Where War’s dread birds must practise without cease
All that the stoutest pilot-heart might dare.
Death over dreaming life managed his wings,
Droning dull song in the sun-satiate air.
The “crumps” are falling twenty to the minute.
We crouch, and wait the end of it--or us.
Just behind the trench, before, and in it,
The “crumps” are falling twenty to the minute;
(O Framilode! O Maisemore’s laughing linnet!)
Here comes a monster like a motor-bus.
The “crumps” are falling twenty to the minute:
We crouch and wait the end of it--or us.
Watching the dark my spirit rose in flood
On that most dearest Prelude of my delight.
The low-lying mist lifted its hood,
The October stars showed nobly in clear night.
When I return, and to real music-making,
And play that Prelude, how will it happen then?
Shall I feel as I felt, a sentry hardly waking,
With a dull sense of No Man’s Land again?
How shall I keep April
When my songs are done —
How can I be silent
And still feel the sun?
I, who dreaded silence,
I, who April-long
Kept my heart from breaking
With the cry of song.
How can I hold sunlight
In my hands, like gold.
And bear the pain of silence
When my songs are old?
I am less of myself and more of the sun;
The beat of life is wearing me
To an incomplete oblivion,
Yet not to the certain dignity
Of death. They cannot even die
Who have not lived.
The hungry jaws
Of space snap at my unlearned eye,
And time tears in my flesh like claws.
If I am not life's, if I am not death's.
Out of chaos I must re-reap
The burden of untasted breaths.
Who has not waked may not yet sleep.