"Where are you going to-night, to-night, --
Where are you going, John Evereldown?
There's never the sign of a star in sight,
Nor a lamp that's nearer than Tilbury Town.
Why do you stare as a dead man might?
Where are you pointing away from the light?
And where are you going to-night, to-night, --
Where are you going, John Evereldown?"
"Right through the forest, where none can see,
There's where I'm going, to Tilbury Town.
The men are asleep, -- or awake, may be, --
But the women are calling John Evereldown.
Ever and ever they call for me,
And while they call can a man be free?
So right through the forest, where none can see,
There's where I'm going, to Tilbury Town."
The well-made sonnet takes the azure sea
Proud in her beauty as a halcyon,
Her timbers chosen words, and melody
Filling her sails of rhyme. She passes on
In majesty and calm, but these my lines
Are like a crazy and a leaky boat,
Clumsily made of warped and twisted pines
That hardly on the troubled waters float.
Now comes an arrogant great wave ahead
That swamps the blunted bow and spumes along ;
Into the storm I drift in doubt and dread,
Patient, not brave, enduring but not strong.
I know not on this huge and angry sea
How far my wretched ship can carry me.
"Thin Rain, whom are you haunting,
That you haunt my door?"
--Surely it is not I she's wanting;
Someone living here before--
"Nobody's in the house but me:
You may come in if you like and see."
Thin as thread, with exquisite fingers,--
Have you seen her, any of you?--
Grey shawl, and leaning on the wind,
And the garden showing through?
Glimmering eyes,--and silent, mostly,
Sort of a whisper, sort of a purr,
Asking something, asking it over,
If you get a sound from her.--
Ever see her, any of you?--
Strangest thing I've ever known,--
These wet rocks where the tide has been,
Barnacled white and weeded brown
And slimed beneath to a beautiful green,
These wet rocks where the tide went down
Will show again when the tide is high
Faint and perilous, far from shore,
No place to dream, but a place to die,--
The bottom of the sea once more.
There was a child that wandered through
A giant's empty house all day,--
House full of wonderful things and new,
But no fit place for a child to play.
I had forgotten how the frogs must sound
After a year of silence, else I think
I should not so have ventured forth alone
At dusk upon this unfrequented road.
I am waylaid by Beauty. Who will walk
Between me and the crying of the frogs?
Oh, savage Beauty, suffer me to pass,
That am a timid woman, on her way
From one house to another!
At four o’clock in late October
I sat alone in the country school-house
Back from the road, mid stricken fields,
And an eddy of wind blew leaves on the pane,
And crooned in the flue of the cannon-stove,
With its open door blurring the shadows
With the spectral glow of a dying fire.
In an idle mood I was running the planchette—
All at once my wrist grew limp,
And my hand moved rapidly over the board,
’Till the name of “Charles Guiteau” was spelled,
Who threatened to materialize before me.
I rose and fled from the room bare-headed
Into the dusk, afraid of my gift.
And after that the spirits swarmed—
Chaucer, Caesar, Poe and Marlowe,
Not, where the stairway turns in the dark
A hooded figure, shriveled under a flowing cloak!
Not yellow eyes in the room at night,
Staring out from a surface of cobweb gray!
And not the flap of a condor wing
When the roar of life in your ears begins
As a sound heard never before!
But on a sunny afternoon,
By a country road,
Where purple rag-weeds bloom along a straggling fence
And the field is gleaned, and the air is still
To see against the sun-light something black
Like a blot with an iris rim—
That is the sign to eyes of second sight. . .
And that I saw!
I winged my bird,
Though he flew toward the setting sun;
But just as the shot rang out, he soared
Up and up through the splinters of golden light,
Till he turned right over, feathers ruffled,
With some of the down of him floating near,
And fell like a plummet into the grass.
I tramped about, parting the tangles,
Till I saw a splash of blood on a stump,
And the quail lying close to the rotten roots.
I reached my hand, but saw no brier,
But something pricked and stung and numbed it.
And then, in a second, I spied the rattler—
The shutters wide in his yellow eyes,
The head of him arched, sunk back in the rings of him,
A circle of filth, the color of ashes,
Last night a thief came to me
And struck at me with something dark.
I cried, but no one could hear me,
I lay dumb and stark.
When I awoke this morning
I could find no trace;
Perhaps 'twas a dream of warning,
For I've lost my peace.
Waving slowly before me, pushed into the dark,
Unseen my hands explore the silence, drawing the
bark
Of my body slowly behind.
Nothing to meet my fingers but the fleece of night
Invisible blinding my face and my eyes! What if
in their flight
My hands should touch the door!
What if I suddenly stumble, and push the door
Open, and a great grey dawn swirls over my feet,
before
I can draw back!
What if unwitting I set the door of eternity wide
And am swept away in the horrible dawn, am gone
down the tide
Of eternal hereafter!
By the river
In the black wet night as the furtive rain slinks
down,
Dropping and starting from sleep
Alone on a seat
A woman crouches.
I must go back to her.
I want to give her
Some money. Her hand slips out of the breast of
her gown
Asleep. My fingers creep
Carefully over the sweet
Thumb-mound, into the palm's deep pouches.
So, the gift!
God, how she starts!
And looks at me, and looks in the palm of her hand!
In the choir the boys are singing the hymn.
The morning light on their lips
Moves in silver-moist flashes, in musical trim.
Sudden outside the high window, one crow
Hangs in the air
And lights on a withered oak-tree's top of woe.
One bird, one blot, folded and still at the top
Of the withered tree!--in the grail
Of crystal heaven falls one full black drop.
Like a soft full drop of darkness it seems to sway
In the tender wine
Of our Sabbath, suffusing our sacred day.