Of this worlds theatre in which we stay,
My love like the spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.
Sometimes I joy when glad occasion fits,
And mask in myrth lyke to a comedy:
Soone after when my joy to sorrow flits,
I waile and make my woes a tragedy.
Yet she, beholding me with constant eye,
Delights not in my merth nor rues my smart:
But when I laugh she mocks, and when I cry
She laughs and hardens evermore her heart.
What then can move her? if nor merth nor mone,
She is no woman, but a senceless stone.
"Seldom we find," says Solomon Don Dunce,
"Half an idea in the profoundest sonnet.
Through all the flimsy things we see at once
As easily as through a Naples bonnet--
Trash of all trash!--how can a lady don it?
Yet heavier far than your Petrarchan stuff--
Owl-downy nonsense that the faintest puff
Twirls into trunk-paper the while you con it."
And, veritably, Sol is right enough.
The general tuckermanities are arrant
Bubbles--ephemeral and so transparent--
But this is, now--you may depend upon it--
Stable, opaque, immortal--all by dint
Of the dear names that lie concealed within't.
Freedom, as every schoolboy knows,
Once shrieked as Kosciusko fell;
On every wind, indeed, that blows
I hear her yell.
She screams whenever monarchs meet,
And parliaments as well,
To bind the chains about her feet
And toll her knell.
And when the sovereign people cast
The votes they cannot spell,
Upon the pestilential blast
Her clamors swell.
For all to whom the power's given
To sway or to compel,
Among themselves apportion Heaven
And give her Hell.
Begone, ye critics, and restrain your spite,
Codrus writes on, and will for ever write.
The heaviest Muse the swiftest course has gone,
As clocks run fastest when most lead is on;
What though no bees around your cradle flew,
Nor on your lips distill'd the golden dew,
Yet have we oft discover'd in their stead
A swarm of drones that buzz'd about your head.
When you, like Orpheus, strike the warbling lyre,
Attentive blocks stand round you and admire.
Wit pass'd through thee no longer is the same,
As meat digested takes a different name,
But sense must sure thy safest plunder be,
Since no reprisals can be made on thee.
Thus thou may'st rise, and in thy daring flight
IMMITATION OF ENGLISH POETS. EARL OF DORSET
Though Artemisia talks, by fits,
Of councils, classics, fathers, wits;
Reads Malebranche, Boyle, and Locke:
Yet in some things methinks she fails--
'Twere well if she would pare her nails,
And wear a cleaner smock.
Haughty and huge as High-Dutch bride,
Such nastiness, and so much pride
Are oddly join'd by fate:
On her large squab you find her spread,
Like a fat corpse upon a bed,
That lies and stinks in state.
She wears no colours (sign of grace)
On any part except her face;
All white and black beside: