Her sovereign People
Her sovereign People
Nature knows as well
And is as fond of signifying
As if fallible --
Contemplative poems
Contemplative poems — a collection of the best works on Poemship.
A Musical Instrument
What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
He tore out a reed, the great god Pan,
From the deep cool bed of the river:
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
High on the shore sat the great god Pan,
While turbidly flowed the river;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
To Flush, My Dog
Yet, my pretty sportive friend,
Little is't to such an end
That I praise thy rareness!
Other dogs may be thy peers
Haply in these drooping ears,
And this glossy fairness.
But of thee it shall be said,
This dog watched beside a bed
Day and night unweary—
Watched within a curtained room,
Where no sunbeam brake the gloom
Round the sick and dreary.
Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning.
This dog only, waited on,
How know it from a Summer's Day?
How know it from a Summer's Day?
Its Fervors are as firm --
And nothing in the Countenance
But scintillates the same --
Yet Birds examine it and flee --
And Vans without a name
Inspect the Admonition
And sunder as they came --
Summer begins to have the look
Summer begins to have the look
Peruser of enchanting Book
Reluctantly but sure perceives
A gain upon the backward leaves --
Autumn begins to be inferred
By millinery of the cloud
Or deeper color in the shawl
That wraps the everlasting hill.
The eye begins its avarice
A meditation chastens speech
Some Dyer of a distant tree
Resumes his gaudy industry.
Conclusion is the course of All
At most to be perennial
And then elude stability
Recalls to immortality.
How still, how happy!
How still, how happy! Those are words
That once would scarce agree together;
I loved the plashing of the surge -
The changing heaven the breezy weather,
More than smooth seas and cloudless skies
And solemn, soothing, softened airs
That in the forest woke no sighs
And from the green spray shook no tears.
How still, how happy! now I feel
Where silence dwells is sweeter far
Than laughing mirth's most joyous swell
However pure its raptures are.
Come, sit down on this sunny stone:
'Tis wintry light o'er flowerless moors -
But sit - for we are all alone
And clear expand heaven's breathless shores.
Gone, Gone Again
GONE, gone again,
May, June, July,
And August gone,
Again gone by,
Not memorable
Save that I saw them go,
As past the empty quays
The rivers flow.
And now again,
In the harvest rain,
The Blenheim oranges
Fall grubby from the trees,
As when I was young--
And when the lost one was here--
And when the war began
To turn young men to dung.
It Rains
IT rains, and nothing stirs within the fence
Anywhere through the orchard's untrodden, dense
Forest of parsley. The great diamonds
Of rain on the grassblades there is none to break,
Or the fallen petals further down to shake.
And I am nearly as happy as possible
To search the wilderness in vain though well,
To think of two walking, kissing there,
Drenched, yet forgetting the kisses of the rain:
Sad, too, to think that never, never again,
Unless alone, so happy shall I walk
In the rain. When I turn away, on its fine stalk
Twilight has fined to naught, the parsley flower
Figures, suspended still and ghostly white,
The past hovering as it revisits the light.
Home
OFTEN I had gone this way before:
But now it seemed I never could be
And never had been anywhere else;
'Twas home; one nationality
We had, I and the birds that sang,
One memory.
They welcomed me. I had come back
That eve somehow from somewhere far:
The April mist, the chill, the calm,
Meant the same thing familiar
And pleasant to us, and strange too,
Yet with no bar.
The thrush on the oaktop in the lane
Sang his last song, or last but one;
And as he ended, on the elm
Another had but just begun
The Sun Used to Shine
THE sun used to shine while we two walked
Slowly together, paused and started
Again, and sometimes mused, sometimes talked
As either pleased, and cheerfully parted
Each night. We never disagreed
Which gate to rest on. The to be
And the late past we gave small heed.
We turned from men or poetry
To rumours of the war remote
Only till both stood disinclined
For aught but the yellow flavorous coat
Of an apple wasps had undermined;
Or a sentry of dark betonies,
The stateliest of small flowers on earth,
At the forest verge; or crocuses
Pale purple as if they had their birth
There Was a Time
THERE was a time when this poor frame was whole
And I had youth and never another care,
Or none that should have troubled a strong soul.
Yet, except sometimes in a frosty air
When my heels hammered out a melody
From pavements of a city left behind,
I never would acknowledge my own glee
Because it was less mighty than my mind
Had dreamed of. Since I could not boast of strength
Great as I wished, weakness was all my boast.
I sought yet hated pity till at length
I earned it. Oh, too heavy was the cost.
But now that there is something I could use
My youth and strength for, I deny the age,
The care and weakness that I know--refuse
To admit I am unworthy of the wage
Bright Clouds
BRIGHT clouds of may
Shade half the pond.
Beyond,
All but one bay
Of emerald
Tall reeds
Like criss-cross bayonets
Where a bird once called,
Lies bright as the sun.
No one heeds.
The light wind frets
And drifts the scum
Of may-blossom.
Till the moorhen calls
Again
Naught's to be done
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