A winter wren darts low
over the rushing stream
and unwinds its hurdy-gurdy song.
Not all water-lovers
are bouyant in the same way.
The waterthrush walks
on the bottom, tail bobbing
as if spring-loaded. We stand
dripping in the rain.
Camera out, you stalk
a mourning cloak,
avid as a book thief
for that two-page
spread of darkness
glowing in the leafless woods,
you and the butterfly—
both quick to fly but loathe to leave.
And edged in light.
The field sparrow is back—
that rising trill spilling
from a small, pink beak.
A yellow-bellied sapsucker
taps a ring of wells all around
the bole of a hickory.
You nap on the porch,
ears open to the creek and other
migrant tongues.
The March winds
have blown wet snow
sideways against the trees—
look in one direction
and the woods are white;
in the other, brown.
The snow sticks to our boot soles,
lifting like lids
from jars full of spring.
Most of the goldenrods still standing
at winter’s end are topped
by the empty habitations of wasps.
Dried half-pods of milkweed
cluster three to a stalk,
a Baroque superfluity of arch and wing.
From the woods, a drumming grouse
reminds me what real wings can do—
that accelerating heartbeat.
Earth tones—a term
no recent migrant from the tropics
would understand,
how a dormant earth
can come in moss-green, bark-gray
and a thousand browns—
umber, ochre, sienna—
and spring still a hollow gurgling
somewhere below.
First phoebe of spring.
He flutters in front of me,
drawn by a slow fly.
In my email, a copy
of a tintype portrait
I sat for last August—
that still moment
five seconds long,
that black box.
A brown-striped breast feather
floats down from a high bough
in the spruce grove
where some hawk or owl
plucked a grouse. The outermost
trees rock in the wind.
I step carefully as a bridegroom
over each raised
threshold of root.
A circling crow
turns into a hawk
as it clears the trees
with their bare-boned
parceling of the light. And then
those upswept wings—
primaries splayed like hands
open to the ground—
can only be vulture.
A gray day in March
is the best time to go hunting
for teaberries—
bright as fresh drops of blood
under the glossy wings
of wintergreen,
sharp and sweet
after all those months
of frozen burial.
On a warm day,
a patch of ice dulls over
like a dead eye,
except that something moves
under and through it,
like the soul—
that bubble of breath—
surrounded by meltwater
and the bluebird’s song.
Inside a cloud moved
rapidly by the wind,
I catch a whiff of wood smoke.
All the tracks have melted through,
erasures that say only
that something was there—
except for the trees,
still marooned on the same
round islands.