Criticisms
my mother brings up,
February thaw.
Traveling through
the long winter nights
at the speed of dark.
The last six months
should be the fastest.
It is still winter.
Another cold day
snow along the fence
escapes in the wind.
Still no wind
this long dreary winter,
solitary bird.
Sun warms the wings
after flying near the jail
crimson razor wire.
Early on summer days
I'd wake to my Dad's wedding band
clicking on the ivory keys.
His hymns would nudge me awake off the living room couch;
my camp site when AC was a luxury we still ignored as a family.
There was often no sheet music, no scrawled chord progressions guiding him,
just his hands knowing; finding the keys that agreed without looking.
At the time, it might as well have been
an alarm clock prelude to my chores, the signal that a break
from school could still be spoiled slapping paint on the peeling
exterior of our house as some lesson of work.
But now, I'd speak of this less harsh bugle call fondly.
I'd construct it into conversation so it appeared that
Six a.m.
loud grandfather
clock in your six-mat room
always 45 minutes off
always very loud
this sleeplessness
while you sleep
through.
I thought it
was you
turning in bed—listening
I know
it is just the rain, heavier.
First I’ve heard
in a long time—
breathe deep.
I rest easier.
Happily.
Floods?
I doubt it,
if so
we'll cope later,
in due time.
Spring, and spring of her life also. She walks
to water to stand behind sedges, thinking of snakes.
And snakes come. First one, lazily, tail
sculling, head high, counterclockwise along
shore, and then another. And then -- another.
All going, she notes, the same way round. Next day,
incorrigible child, she rigs a black fly rod
with stout green line tied, butt end and tip end:
a snare. Back to the sun-long lake. The snakes
continue their rounds. She casts loop, she waits.
One comes, riding high in clear water, black eye
bright. Caught, the looping, livid thing
bends the rod double almost. On close inspection
she speaks its given name: common water snake.
Proudly she touches the twisting ribbon of flesh,
In a garden's grave, life remains: beets
Never pulled may be pulled now, to boil
And put back, for the flock to discover;
Greens have carried on and are taken
And dehydrated, or left for the goose to strip;
Red highlights show missed tomatoes;
Dense thickets of dead vines give beans.
Even the weeds, that had defeated her,
Now yield rich heads of seed for hens.
She walks about, coat-wrapped, scanning
Ground for spuds rolled out by hen feet.
Rarely, rewardingly, a ripe winter's squash
Awaits discovery. Gone to seed last year,
Viable chard and kale erupt now
Even as it were March, and are welcomed.
Little remains of her apple crop,
She drags her rusty kneeler as way opens
amid plants knee high, wetting her blue
trousers in dew, as clouds decide
to open or not, as the morning star
recedes and hides itself, with a sliver
of new moon, in day. Poppies
have not yet awakened, nor daisies.
She kneels and kneels again, eyeing
potato vines, chard, kale, spinach, beets
to see are they hiding pretenders beneath
their skirts: thistle, geranium, nipplewort,
even nascent blackberries, ash trees, an oak.
Most of all, she seeks out bindweed, a long
vine snaking from place to place, climbing,
smothering fruitful things. She knows
she's prejudiced, but her rationale is: