YES. I remember Adlestrop--
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop--only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.
THE clouds that are so light,
Beautiful, swift and bright,
Cast shadows on field and park
Of the earth that is so dark,
And even so now, light one!
Beautiful, swift and bright one!
You let fall on a heart that was dark,
Unillumined, a deeper mark.
But clouds would have, without earth
To shadow, far less worth:
Away from your shadow on me
Your beauty less would be,
And if it still be treasured
An age hence, it shall be measured
By this small dark spot
Without which it were not.
WOMEN he liked, did shovel-bearded Bob,
Old Farmer Hayward of the Heath, but he
Loved horses. He himself was like a cob,
And leather-coloured. Also he loved a tree.
For the life in them he loved most living things,
But a tree chiefly. All along the lane
He planted elms where now the stormcock sings
That travellers hear from the slow-climbing train.
Till then the track had never had a name
For all its thicket and the nightingales
That should have earned it. No one was to blame.
To name a thing beloved man sometimes fails.
Many years since, Bob Hayward died, and now
None passes there because the mist and the rain
Out of the elms have turned the lane to slough
And gloom, the name alone survives, Bob's Lane.
THE rock-like mud unfroze a little and rills
Ran and sparkled down each side of the road
Under the catkins wagging in the hedge.
But earth would have her sleep out, spite of the sun;
Nor did I value that thin gilding beam
More than a pretty February thing
Till I came down to the old Manor Farm,
And church and yew-tree opposite, in age
Its equals and in size. The church and yew
And farmhouse slept in a Sunday silentness.
The air raised not a straw. The steep farm roof,
With tiles duskily glowing, entertained
The mid-day sun; and up and down the roof
White pigeons nestled. There was no sound but one.
Three cart-horses were looking over a gate
Drowsily through their forelocks, swishing their tails
THIS ploughman dead in battle slept out of doors
Many a frozen night, and merrily
Answered staid drinkers, good bedmen, and all
bores:
"At Mrs. Greenland's Hawthorn Bush," said he,
"I slept." None knew which bush. Above the
town,
Beyond "The Drover," a hundred spot the down
In Wiltshire. And where now at last he sleeps
More sound in France--that, too, he secret keeps.
ONE hour: as dim he and his house now look
As a reflection in a rippling brook,
While I remember him; but first, his house.
Empty it sounded. It was dark with forest boughs
That brushed the walls and made the mossy tiles
Part of the squirrels' track. In all those miles
Of forest silence and forest murmur, only
One house--"Lonely!" he said, "I wish it were
lonely"--
Which the trees looked upon from every side,
And that was his.
He waved good-bye to hideA sigh that he converted to a laugh.
He seemed to hang rather than stand there, half
Ghost-like, half like a beggar's rag, clean wrung
And useless on the brier where it has hung
Long years a-washing by sun and wind and rain.
THIS is no case of petty right or wrong
That politicians or philosophers
Can judge. I hate not Germans, nor grow hot
With love of Englishmen, to please newspapers.
Beside my hate for one fat patriot
My hatred of the Kaiser is love true:--
A kind of god he is, banging a gong.
But I have not to choose between the two,
Or between justice and injustice. Dinned
With war and argument I read no more
Than in the storm smoking along the wind
Athwart the wood. Two witches' cauldrons roar.
From one the weather shall rise clear and gay;
Out of the other an England beautiful
And like her mother that died yesterday.
Little I know or care if, being dull,
ALL day and night, save winter, every weather,
Above the inn, the smithy, and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.
Out of the blacksmith's cavern comes the ringing
Of hammer, shoe, and anvil; out of the inn
The clink, the hum, the roar, the random singing--
The sounds that for these fifty years have been.
The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound
Not ceasing, calls their ghosts from their abode,
A silent smithy, a silent inn, nor fails
In the bare moonlight or the thick-furred gloom,
In tempest or the night of nightingales,
THESE things that poets said
Of love seemed true to me
When I loved and I fed
On love and poetry equally.
But now I wish I knew
If theirs were love indeed,
Or if mine were the true
And theirs some other lovely weed:
For certainly not thus,
Then or thereafter, I
Loved ever. Between us
Decide, good Love, before I die.
Only, that once I loved
By this one argument
Is very plainly proved:
I, loving not, am different.
NAUGHT moves but clouds, and in the glassy lake
Their doubles and the shadow of my boat.
The boat itself stirs only when I break
This drowse of heat and solitude afloat
To prove if what I see be bird or mote,
Or learn if yet the shore woods be awake.
Long hours since dawn grew,--spread,--and passed
on high
And deep below,--I have watched the cool reeds
hung
Over images more cool in imaged sky:
Nothing there was worth thinking of so long;
All that the ring-doves say, far leaves among,
Brims my mind with content thus still to lie.
WHEN these old woods were young
The thrushes' ancestors
As sweetly sung
In the old years.
There was no garden here,
Apples nor mistletoe;
No children dear
Ran to and fro.
New then was this thatched cot,
But the keeper was old,
And he had not
Much lead or gold.
Most silent beech and yew:
As he went round about
The woods to view
Seldom he shot.
WHAT matter makes my spade for tears or mirth,
Letting down two clay pipes into the earth?
The one I smoked, the other a soldier
Of Blenheim, Ramillies, and Malplaquet
Perhaps. The dead man's immortality
Lies represented lightly with my own,
A yard or two nearer the living air
Than bones of ancients who, amazed to see
Almighty God erect the mastodon,
Once laughed, or wept, in this same light of day.