My father is a quiet man
With sober, steady ways;
For simile, a folded fan;
His nights are like his days.
My mother’s life is puritan,
No hint of cavalier,
A pool so calm you’re sure it can
Have little depth to fear.
And yet my father’s eyes can boast
How full his life has been;
There haunts them yet the languid ghost
Of some still sacred sin.
And though my mother chants of God,
And of the mystic river,
I’ve seen a bit of checkered sod
Set all her flesh aquiver.
Now I am young and credulous,
My heart is quick to bleed
At courage in the tremulous
Slow sprouting of a seed.
Now I am young and sensitive,
Man’s lack can stab me through;
I own no stitch I would not give
To him that asked me to.
Now I am young and a fool for love,
My blood goes mad to see
A brown girl pass me like a dove
That flies melodiously.
Let me be lavish of my tears,
And dream that false is true;
Though wisdom cometh with the years,
The barren days come, too.
The shale and water thrown together so-so first of all,
Then a potter's hand on the wheel and his fingers shaping
the jug ; out of the mud a mouth and a handle ;
Slimpsy, loose and ready to fall at a touch, fire plays
on it, slow fire coaxing all the water out of the
shale mix.
Dipped in glaze more fire plays on it till a molasses lava
runs in waves, rises and retreats, a varnish of
volcanoes.
Take it now; out of mud now here is a mouth and
handle; out of this now mothers will pour milk
and maple syrup and cider, vinegar, apple juice,
and sorghum.
There is nothing proud about this ; only one out of
many ; the potter's wheel slings them out and the
fires harden them hours and hours thousands and
Many ways to spell good night.
Fireworks at a pier on the Fourth of July
spell it with red wheels and yellow spokes.
They fizz in the air, touch the water and quit.
Rockets make a trajectory of gold-and-blue
and then go out.
Railroad trains at night spell with a smokestack
mushrooming a white pillar.
Steamboats turn a curve in the Mississippi crying
in a baritone that crosses lowland cottonfields
to a razorback hill.
It is easy to spell good night.
Many ways to spell good night.
In the Shenandoah Valley, one rider gray and one rider
blue, and the sun on the riders wondering.
Piled in the Shenandoah, riders blue and riders gray,
piled with shovels, one and another, dust in the
Shenandoah taking them quicker than mothers take
children done with play.
The blue nobody remembers, the gray nobody remembers,
it's all old and old nowadays in the Shenandoah.
And all is young, a butter of dandelions slung on the
turf, climbing blue flowers of the wishing woodlands
wondering: a midnight purple violet claims the sun
among old heads, among old dreams of repeating
heads of a rider blue and a rider gray in the
Shenandoah.
The opal afternoon
Is cool, and very still.
A wash of tawny air,
Sea-green that melts to gold,
Bathes all the skyline, hill by hill.
Out of the black-topped pinelands
A black crow calls,
And the year seems old!
A woman from a doorway sings,
And from the valley-slope a sheep-dog barks,
And through the umber woods the echo falls.
Then silence on the still world lies,
And faint and far the birds fly south,
And behind the dark pines drops the sun,
And a small wind wakes and sighs,
And Summer, see, is done!
Then the golden hour
Will tick its last
And the flame will go down in the flower.
A briefer length of moon
Will mark the sea-line and the yellow dune.
Then we may think of this, yet
There will be something forgotten
And something we should forget.
It will be like all things we know:
The stone will fail; a rose is sure to go.
It will be quiet then and we may stay
As long at the picket gate
But there will be less to say.
I STOOD in my window
looking at the double cherry :
A great height of white stillness.
Underneath a sky
the colour of milky grey jade.
Suddenly a crow flew between me and the tree —
Swooping, falling, in a shadow-black curve —
And blotted himself out in the blurred branches
of a leafless ash.
There he stayed for some time,
and I could only distinguish him by his
slight moving.
Then a wind caught the upper branches of the cherry,
And the long, white stems nodded up and down,
casually, to me in the window.
Nodded — but overhead the grey jade clouds
A LITTLE brown room in a sea of fields.
Fields pink as rose-mallows
Under a fading rose-mallow sky.
Four candles on a tall iron candlestick.
Clustered like altar lights.
Above, the models of four brown Chinese junks
Sailing round the brown walls.
Silent and motionless.
The quick cut of a vibrating string.
Another, and another.
Biting into the silence.
Notes pierce, sharper and sharper ;
They draw up in a freshness of sound.
Higher — higher, to the whiteness of intolerable beauty.
They are jagged and clear.
Like snow peaks against the sky ;
O little Cloud the virgin said, I charge thee to tell me
Why thou complainest now when in one hour thou fade away:
Then we shall seek thee but not find: ah Thel is like to thee.
I pass away, yet I complain, and no one hears my voice.
The Cloud then shewd his golden head & his bright form emerg'd.
Hovering and glittering on the air before the face of Thel.
O virgin know'st thou not our steeds drink of the golden springs
Where Luvah doth renew his horses: lookst thou on my youth.
And fearest thou because I vanish and am seen no more.
Nothing remains; O maid I tell thee, when I pass away.
It is to tenfold life, to love, to peace, and raptures holy:
Lord, who hast suffer'd all for me,
My peace and pardon to procure,
The lighter cross I bear for Thee,
Help me with patience to endure.
The storm of loud repining hush;
I would in humble silence mourn;
Why should the unburnt, though burning bush,
Be angry as the crackling thorn?
Man should not faint at Thy rebuke,
Like Joshua falling on his face,
When the cursed thing that Achan took
Brought Israel into just disgrace.
Perhaps some golden wedge suppress'd,
Some secret sin offends my God;
Perhaps that Babylonish vest,
Self-righteousness, provokes the rod.
I SEE the sleeping babe, nestling the breast of its mother;
The sleeping mother and babe—hush’d, I study them long and long.